TEUFELSKUNST Occult Art Blog
TEUFELSKUNST
Occult Art Blog

Samhain & Dia de los Muertos Incense

New in the shop: Samhain & Dia de los Muertos incense; candle by tiofreddy.com

With the arrival of autumn and in view of the last warm weekend for this year, I am delighted to share some seasonal musings and the most recent shop news with you.

As I am typing, my hands smell of fragrant cempasuchil flower… the day before though they were still sticky from the self gathered pine resin. Both are ingredients in incense blends individually dedicated to the season’s various feast days.

“End of Summer”

Samhain means “end of summer”. The Gaelic festival marked the end of the harvest season and the beginning of winter. Today it is celebrated on the night between October 31st – November 1st. It is also associated with St. Martin’s day, November 11th. Some also connect it with the midpoint between the autumn equinox and the winter solstice (or the nearest full moon), when the ecliptic longitude of the Sun reaches 225 degrees.

Samain is also the name of the Celtic god of death, who from this point on ruled over the land, while the goddess of vegetation was forced to decent into darkness until the coming spring. Her parting is accompanied by the honk of the geese leaving for the South. Any herb harvested after this point would be considered harmful, save for the grey mugwort. During Samhain the doors to the spirit-/ underworld opened, and the spirits that would enter, were not always friendly. In some tales, spirits of darkness and chaos (such as the Irish Fomorians and the Crom Cruach) would be given human sacrifices.

Rural people’s survival depended on the harvest. The fear of loosing the harvest, fierce autumn storms, the long nights etc. was real. It was essential to secure the harvest and protect the home, barn and family. It was custom to cleanse and protect the home by burning herbs. Herbs associated with protection and healing, as well as the opening of the gates to the spirit world, are hence part of my Samhain incense.

From the need to protect oneself may also have sprung the latter-day custom of placing candles in hollowed out objects. Readily available were turnips or pumpkins, then turned into figurative lanterns sporting demonic grimaces. Similar to the scarecrow, the lantern was to ward of the ‘evil’ and at the same time its flame lit up the long nights. This “light in the dark” is embodied by the amber, fossilized tree resin. Amber is called Bernstein in German, from Low German börnen, meaning “to burn”. The Greeks knew it as ḗlektron, from ēléktōr, meaning “shining sun”.

Samhain also marks the time when deciduous trees have shed most of their leaves. The leaves fall to the ground, decay and nurture the cycle of life. The wood keeps men warm, the bark heals. The evergreen conifers deliver in addition aromatic resins with cleansing and healing properties. An important part in this incense is thus the rosy red resin gathered from pine trees in my area, as well as fragrant juniper wood and needles from my own garden.

When burnt, the blend develops a strong white smoke and is best used outdoors or in a well ventilated area. If used indoors, air the room and then enjoy the scent, which will last for days.

Contains: amber, juniper needles and bark, mugwort, oak bark, pine and fir resin, rosemary, sage, thyme, vervain

Use: Use this incense blend for cleansing, healing, protection and communication with the spirits. Its fragrant ingredients evoke in particular the spirits of the wild/ sylvan realm and may aid in re-connecting with the spiritual world of the forests and wilderness. It can also be used on the “Totensonntag“, for  contacting one’s ancestors and for protection from “Wiedergänger” (revenants).

“Day of the Dead”

The pagan festivities surrounding Samhain have been substituted by Christian feast days throughout a large part of the Western world. Folkloric customs are a part of marketing schemes. From the pagan Samhain to the Christian All Saints day, the modern world celebrates “Halloween” with plastic skulls, led pumpkins and dressing up as corpses. Everyone can be a zombie for one day and night and feel more alive than the rest of the year. Halloween gives a good example for cultural appropriation gone wild, every year a little more. But I blame none. Because it is part of human nature, both to adopt other traditions as well as to defend one’s own culture and rituals.

One of these traditions that have been sinking into the Western world and heavily influence our aesthetics, is the Mexican Dia de los Muertos. As the festival in Mexico grows bigger and becomes more impressive every year, so grows the fascination with it outside of Mexico. Just like the cult of Santissima Muerte grows in numbers both in and outside Mexico. Death worship is real and prospering. It is nothing extraordinary.

All over the world people venerate their ancestors and spirits of death, with altars at home, at their graves or in temples or chapels dedicated to them. And often there are special festivals dedicated to the veneration of the dead. In some countries these celebrations fall in the months of July and August, such as the Japanese Obon or the Argentinian feast for San la Muerte. In other countries they center around the days and nights spanning from All Hallow’s Eve (October 31st) to All Saints (November 1st) and All Souls Day (November 2nd).

A funny exception is Germany, where it is custom to visit and adorn the graves of family members on the Totensonntag (the “Sunday of the Dead”). It falls on the last Sunday before the first Advent (usually at end of November) and, though of Protestant origin, is a protected holiday in all of Germany. And death is no funny affair in Germany, as the day is meant to be spent in silence, e.g. it is forbidden to dance or play loud music in public.

So, for me “Halloween” is not the time to commemorate my ancestors. But it is still a special time of the year, during which I am free to explore and find light in other traditions.

In Mexico the celebration starts on All Hallow’s Eve, when children make altars for the angelitos (the souls of dead children). November 1st is referred to as Día de los Inocentes (“Day of the Innocents”) or Día de los Angelitos (“Day of the Little Angels”), which is when the souls of dead children are honored. On November 2nd, the actual Dia de los Muertos, the graves of dead family members are visited. The graves are adorned with cempasuchil flowers, the flowers of the dead. Between the orange sea of flowers, candles are lit and Muertos (the bread of the dead) and sugar skulls are placed as offerings, along with favorite food, beverages, photos etc. The dead are greeted and welcomed back to the world of the living for one day and night. Dancing and intoxication are welcome and encouraged.

This way of approaching the dead is very different from the official German custom. Since a few years I have joined in the tradition of baking bread of the dead and incorporating some of the Mexican elements in my own worship practice. I can tell it kept me busy! This year I am forced to cut down a bit. I hence created this incense blend for the day of the dead, with favorite ingredients and my own Calavera design.

This incense blend is foremost dedicated to the Mexican tradition of venerating the ancestors, but may also work in the contexts of European ancestor veneration, as it simply pleases and honors the beloved dead. Alternative incense blends for these occasions can be found in my shop.

Contains: cempasuchil (marigold) flower petals, dark copal, myrrh, palo santo wood, patchouli, red rose, rosemary, tobacco, yauthli, yerba santa

Use: celebrating the day(s) of the dead and honoring the beloved dead

October 14, 2017

Posted In: Incense, Feast Days, News & Site Updates

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Fall Greetings 2017

As I am typing this, the candle has already extinguished and there are nearly as many tiny air bubbles in the glass of water as dots on the ink drawing in the background.

My little fall equinox altar is made of tokens gathered during the past days. It also features a small glass of self-made hawthorn liqueur. The hawthorn goddess was addressed for empowerment at a time when I am down with flu and need to recharge both physically as well as spiritually.

The drawing is one of three drawings I did last week. It is the second in the small series and titled “Pathfinder”, since the shape reminded me of a creature equipped with plenty of sensors, which seems to be pushing forward against an icy storm. The third drawing is now in the possession of The Witching Veil, together with the autumn mandrake root depicted on it.

The incense burnt was the Black sacra from Luban Frankincense Supplier. It has a deeper, somewhat richer aroma than the green and white frankincense from Oman, and fits just perfectly for the season.

With the passing of the Fall Equinox, Samhain is just around the corner. I will hence begin preparing my presentation for this year’s Samhain Celebration in Gotha, which I am attending for the second time in a row.

The latest addition to the shop will be new autumn mandrake roots, which will go up for sale in the evening. Please also take a look at the new listings in the Sigilla Magica category.

Last but not least I thank all of you, who ordered my Dog Days incense. I have but one jar each left. The coming days I will work on new batches of Samhain incense, as well as restocking incense for Qayin and Lilith.

September 23, 2017

Posted In: News & Site Updates, Feast Days, Ritual

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Samhain 2016 – important update

I am preparing my stall at the Samhain Celebration in Gotha (Germany) on November 4. All orders placed until October 15 will ship in time for Halloween. All orders placed after October 15 will be shipped by the 2nd week of November. Shipping times on my etsy listings have been updated accordingly. Thanks for your understanding!

More updates on the event, my stall and exhibition to follow this week…

Samhain Celebration, Gotha (Thuringia), November 4 2016
Harvest Seal made for the Samhain Celebration in Gotha (Thuringia), November 4 2016

October 16, 2016

Posted In: Feast Days, News & Site Updates

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Incense Blends of the Dead

Incense blends for working with the dead

Veneration Incense of the Dead

This is a basic incense blend that you can use in daily or weekly offerings on the altar dedicated to the ancestral, beloved and the mighty dead. It consists of equal amounts of myrrh, wormwood and white sandalwood. This blend can easily be adjusted for different purposes, e.g. for “talking” to or “appeasing” the souls of the deceased. Fitting herbs for modifying this blend can be ordered along with it. (see below)

Contains: fresh myrrh resin, white sandalwood, self-harvested wormwood

Oneiromantic incense of the Dead

This blend is designed specifically for contacting the dead in dream and receiving advice about the future. It contains the same ingredients as the veneration incense of the dead and is enhanced with soporific and oneirogenic ingredients, e.g. sandarac resin, mugwort, jasmine and brugmansia flowers, privet flowers and white rose buds. The blend should be burned an hour prior to sleep, in a calm surrounding. It is meant to help the practitioner find a calm state of mind and enter a deep and restful sleep, which is the premise for experiencing sustained and long dream sequences. The same blend can be used for ritually recalling these dreams. It is helpful to use a photograph and other personal links to the dead, whose presence is sought in dream. These links can be placed for example beside the bed or under the pillow.

Safety advice: Please do not leave burning coals unobserved! Don’t burn incense if you feel too tired to pay attention. Instead simply smell on the jar before sleep and burn the incense, when you are well rested and want to revisit the dream experience.

Contains: brugmansia and jasmine flores, fresh myrrh resin, privet flowers*, sandarac resin, self-harvested mugwort and wormwood, silver frankincense, white sandalwood, white rose buds

Order these blends via e-mail 


Herbs with different properties pertaining to the dead

aconite (death curses, resurrection), aloeswood (protection, sleep, overcoming sadness), benzoin resin (enchantments, sleep), blackthorn (coercing), brugmansia flowers (astral work, divination, coercing), copal resin (appeasing), cornel cherry wood (resurrection), cypress needles and bark (protection), dittany of crete (manifestation), elder flowers (gate opening), galbanum resin (dreams, protection), foxglove (death curses, resurrection), guggul resin (dreams, protection), laurel leaves (sleep, communication), lavender (appeasing, sleep), mugwort (astral work), henbane (manifestation, communication, cursing), mandrake (dark dead), mullein (manifestation, protection), myrrh resin (mourning, protection), opoponax resin (protection, astral work), poplar (gate opening), rose petals (dreams, protection), sandarac resin (sleep), tobacco (feeding, communion, banishing), valerian root (sleep, protection), vervain herb (appeasing, dreams), white sandalwood (appeasing), willow (gate opening), yew needles (gate opening, death curses, resurrection)

This list is far from complete, but gives an idea to which end certain resins and herbal agents can be employed in connection with the dead. The blends presented above are meant as starters for exploring the vast and increasingly complex field of “necromancy”.

July 26, 2016

Posted In: Incense, Feast Days, Ritual

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Summer Solstice Incense '16 (update)

Summer Solstice Incense '16This incense blend is dedicated to the rituals surrounding the summer solstice, when the sun reaches it’s annual zenith. The ophidian seal adorning the vessels that contain the solstice incense, is inspired by the viper’s bugloss (Echium vulgare) herb.

The ingredients for this blend are the herbs and flowers traditionally associated with the summer solstice. The incense blend evokes in particular a vision of a summer meadow at dusk: bushes of blue flowering viper’s bugloss cover the ground and transform into nests of serpents. Plantain, thistle and St. John’s wort grow at its side. Nearby, the fragrant yellow flowers of the evening primrose glow in the evening light and emit their sweet scent into the sweltry air, attracting the most wondrous kind of fairy folks…

Contains: amber, chamomile, copal (white), dammar resin, evening primrose, frankincense (aden), mugwort, mullein, plantain, shed snake skin, St. John’s wort, tansy, blessed thistle, vervain, viper’s bugloss, yarrow

Use this incense blend for cleansing, IMG_0655_web2purification and letting go of the old, for protection, renewal, celebrating the night, inspired dreaming and creativity. The blend can also aid in decision making: cast out the serpent as a symbol of “evil” or embrace it as a symbol of wisdom and become a serpent yourself.

Available options and pricing:

  • 100 ml violet glass jar – 19,80 Euro
  • 50 ml violet glass jar – 12,10 Euro
  • 60 ml brown glass jar – 12,10 Euro
  • 120 ml brown glass jar – 19,80 Euro

Order this blend via e-mail and from my etsy shop

Update: In the previous message the title image and some links were not working. These have been fixed now. Thanks for reading and have a blessed solstice!

June 16, 2016

Posted In: Incense, Feast Days, Ritual

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QQ Incense

IMG_5348 copy-s

A commission I have been working on for a few weeks and which happened to be completed on the seventh of this month, was the creation of an incense blend for Qayin and his twin-sister/bride Qalmana. The ingredients for these blends are mainly inspired from the workings outlined in Liber Falxifer I and II.

Both blends were completed at the stroke of midnight from August 6 to August 7. At this time Venus was retrograde and at the edge of “plunging” into the underworld. Dark astrology says, “Particularly matters connected with ‘poison’ are accentuated badly”.

I took inspiration from this dark venus aspect and enhanced my Qayin blend with some venific herbs, such as aconite, henbane and mandrake root, which are added in moderate amounts. These address the poisoner aspect and at the same time all have links to necromancy and the underworld. Further ingredients, that count among the more traditional are myrrh, patchouli, blackthorn, sandalwood, wormwood and yew. Cloves are added for fragrance as well as palo santo wood. Tobacco, long pepper and red chili pepper spice up and enhance the blend’s effectiveness. Some rare additions are ebony dust and ironwood shavings, the latter which have been granted to me by a long-time customer. Beside myrrh resin I added also black copal (one of my all time favorites) and opoponax as well as asafoetida. These all possess to links to the dead and necromancy as well as underline the darker aspects of the Qayin. Red carnation flower petals, black and yellow mustard seeds and some more ingredients refine this incense blend, which is suited for special occasions and feast days but also as part of regular offerings.

Scent: earthy, spicy, hot, but at the same time fresh, resembling the smell of a cold grave or crypt, dominant notes of clove, cypress and opoponax

The incense blend for Qalmana in turn, has an overall flowery sweet scent and emphasizes benific aspects of Venus, such as beauty, lovingness and splendor but at the same time also has protective qualities. It contains among others flowers of apple, cherry, elder, lilac and rose. Precious benzoe siam resin, labdanum, vanilla bean etc. combined with spicy ingredients such as coriander and clove yield an exceptional, sweet, floral mystical fragrance. Besides these the blend contains also rosewood as well as whitethorn. The latter is added also to underline the twin/dual aspect of Qalmana towards her spouse, whose incense blend contains blackthorn. A small amount of blue Papaver somniferum seeds reveres the queen of magical plants and adds a dark touch.

Characteristic for both incense blends are woods and resins, as well as fruits, leafs and flowers from thorny trees, such as myrrh, rose, whitethorn and blackthorn respectively, in harmony with the esoteric doctrine pertaining to the path of thorns, upon which Qayin and Qalmana guide their disciples. Protective and baneful, benific and venific elements balance out each other. The blends come along strong and may be mixed in equal amounts with myrrh and frankincense or copal.

Both blends happened to amount to 182 ml each. I am currently not able to sell them on a larger scale. But I consider offering simplified versions better suited for daily usage soon.

On the side, I do not know of any other book dealing as exhaustively with the female counterpart of Qayin as LF II. And it is with some excitement that I see Ixaxaar announce a 3rd and even 4th volume in the series. Looking beyond the controversy surrounding these books they still remain as works of love and devotion to the spirits. They also continue delivering interesting details and pieces in the puzzle to those, who continue searching…

364

August 16, 2015

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Autumn Fire, October New Moon & Belladonna Harvest

Deadly Nightshade HarvestIn my part of the world the past new moon occured close to the midnight hour and when the moon was just entering into the sign of Scorpio. In addition friends and followers in Eastern Asia and most of North America could simultaneously witness a beautiful partial solar eclipse. An astrologically and magically interesting time, some would already hold their Samhain celebrations on this night, closing another circle, saying farewell to the old and inaugurating a new year. It is the beginning of a liminal time, when the veil between the world of the living and the other side thinnens. It is believed the souls of the deceased – both beloved or malign, familiar or nameless – come to visit and contact the living, in dream or even physically. Temperatures are dropping, you see your breath in the cold air. The trees are yet aflame in autumn colors but will soon turn barren. Winter is just around the corner.

I felt it sooner this year than usual, perhaps owed to the early arrival of summer, autumn and winter are coming earlier as well. And it feels like its going to be a cold one. I experienced some dark days and nights, where I turned inside and contemplated, what has been done and what can and will be done. I got inspired and wrote these lines:

Autumn Fire

I feel the change of season
this autumn fire
the nights getting longer
the impending darkness
this cold breath down my neck.

But I am aflame and
burning with passsion
to a degree that it
almost consumes me.

Memories and dreams
the future and the past
they are merging
in a round-dance of autumn leaves
in the yellow light of street lamps
or in the dim grayness of
one drizzly September day.

I am day dreaming
and the world around me becomes
like the surface of a pond
into which I dip my finger
and suddenly the whole picture
starts to ripple and disperse
and the voices of people talking to me are muted
and I hear something else.

Silence.

The veil is thinning.

I am dreaming of reconciliation.

I hear from a lot of people this year has been their worst by far. Some say they felt a strong negative Saturn influence in their life. Things being stolen or lost, relationships breaking apart, unexpected changes for the worse and in some instances also suicide attempts. There was a lot happening around me and for all I know there is little in life to rely on. Believes and faith, relationships and worldly values are questioned and challenged. And the idea that from loss and pain still something good or even better arises, may infact not always hold true. Yet the quality of conversations improves, deepens. Superficialties don’t suffice any longer. And I still feel lucky. I do have my self, my work, and spirits and friends to turn to. Even if they may be struggeling themsselves; as long as there is a shared will to continue and work towards better times – not sit and wait – there is reason for hope.

What really helps me during times, when there is apparently nothing positive at all, is the feedback I receive from you, my customers and followers. It does indeed mean a great deal to me. It is one reason why I’m doing what I’m doing and why I continue this project. Feedback such as this:

Having received one of your plant sigil card sets, I wanted to thank you for your work and express my gratitude in having received one. It is a beautifully crafted work, with an obvious spine of honesty, experience and exploration. A profound expression of the green, from the veils of the divine. – JR/O.

Thank you and all who write me messages, comment, like and fave! Thanks to over 2000 followers on facebook and 500 on tumblr, thanks to my watchers on deviantArt and elsewhere! Thanks to the loud and silent supporters and the imps and gnomes and wizzards doing ‘magic’ in the background and spreading the word! You know who you are.

And though it is true that this is often a lonely path we do take inspiration from another, consciously or unconsciously. I like to think that the same spirits contact us individually and sometimes they whisper the same and other times different things into our ears. Tuesday I thought about harvesting Belladonna under the waning moon. But the night was cold and rainy and there was no sharp shining crescent sickle to be seen that would have called for harvest. Thursday I read of Harold Roth‘s plan to harvest Belladonna under the new moon. I first thought no, lets leave them for another month or wait for next year’s Walpurgis. But then I gave it a second thought, went outside short before midnight and the conditions were just right.

Deadly Nightshade 'soulpainting'The midnight hour was the hour of Venus and the dark moon had just entered Scorpio. A fitting constellation for working with the poisonous (scorpio) green (venus), and the darker aspects of the goddess (black moon), of whom the Belladonna is evocative. The Deadly Nightshade also has connections to the Germanic myths of the Wild Hunt, especially the Valkyries, daughters of heaven and earth (Wotan and Erda), who accompany the souls of the warriors that died in battle, to their final destination in Valhalla, which is reflected in the German name “Walkerbeere”. The Wild Hunt is said to begin with Samhain and culminates during the Winter Solstice and following nights. My first abstract vision of the plant’s essence shows her infront of a dark stormy sky with flashes of lightning and blood is raining from black clouds.

I took two roots, grown in pots, and both about 3 years old. The plants have flowered ready and the lasts berries are also ripe. In fact the stems are already slowly dying back and new green sprouts come from the root base. So it was indeed good timing. Especially since the following nights were even colder and the green parts don’t survive freezing. It makes sense that the time around Samhain is traditionally the time for the last harvest, which is then put up in the home for drying.

I also encountered a surprise when digging up the second plant as it had grown a long tap-root. It wouldn’t take an end and I actually could not unearth it wholly. I had to dig much deeper to get to the end of the part still stuck in the ground and it turned out that entire thing was indeed over 40 cm long!

I removed the soil manually, then cleaned them in rainwater and put them on the harvest altar, together with previously harvested roots. I lit beeswax candles and offered libation. I noticed a spicy smell and, though I used gloves, felt actually a bit benumbed from the fumes. I learned that the alkaloids concentrate in the root during autumn and winter. It may well be possible these two roots have a higher potency. They are now drying slowly and I plan to later make fetishes with them that tie together visullay the mentioned astrological and magical aspects. Below are a few pictures to show you their raw beauty:

In September I had already gathered leaves and sprigs, which I put between newspaper pages for drying. What do you read in there? It’s been a Belladonna year for sure!

IMG_7617+ copy2Yet there are plenty of other herbs (and for that matter also seeds!) and so I find myself again running around the house and garden, collecting, sorting and processing all sorts of green harvest. It will still be a giant task to take photos of everything and make it available for ordering. I am also working on a larger herbal commissions, which includes labeling and filling custom bottles for a client.

At least I am ready now with rearranging our front garden (more about this later) and next is the raised bed. So lots to do this week until the official Samhain date. And I still have a very special interview in the making, as well as news concerning my contributions to the third Pillars Periodical Journal! But all in good time. 🙂

IMG_7979 copy+So long, after so much deadly nightshade here is now another plant, which embodies the month of October: the Chinese Aconite (Aconitum carmichaelii), or Herbst-Eisenhut, as it is called in German, is the last of the aconites to flower and brightens up the October month with its lush blue-violett inflorescences. It’s poisonous as hell too and another name for aconite was in fact Scorpio. The aconite, as the ‘king of poisons’ is in different ways to be seen as a counterpart to the belladonna or ‘queen of poisons’, who’s atropine is the physiological antidote in aconite poisoning. Now I certainly wouldn’t recommend doing the test. However I do like to grow them besides each other, for higher inspiration and guidance. In fact, I do have quite a few aconite and belladonna seedlings to plant out yet… Yep, lots do! 🙂

October 26, 2014

Posted In: Herbs & Seeds, Garden, Art, Feast Days, Ritual

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Plant Sigil Cards, Autumn Equinox Edition

Finally done! Here are the latest sets of cards with my plant-inspired sigils. Wrapped in autumn-colored peacock marble paper, fitting for the autumnal equinox.

As you know I am dedicating sigils to each herb I work with. In March this year I made a first print set of these abstract sigilic emanations, which I brought with me for the London Magical Arte event. The cards were passed around, single motifs were discussed and became the basis for inspired conversation. At the time I had only printed the cards but not yet made a nice packaging for them. Later I made a slipcase with paper bought from my local bookbinder. Thus far two smaller editions have been done for the Spring Equinox and Summer Solstice, now followed by a 3rd for the Autumn Equinox of 15 sets, the content being:

  • 45 cards with plant sigils printed black on heavy paper vergé
  • 4 colored cards with my ‘soul-paintings’
  • numbered edition specific title card
  • list with names of corresponding herbs
  • introduction to the cards

All cards are hand-numbered on the back. With the help of a list you find the name of the corresponding herb for each card. There is no prescribed method of laying the cards. Possible ways of interpreting and laying them are outlined in the introduction that comes with each set.

Price: 31 Euro for one set + shipping – SOLD

Update: as of September 28 these are all sold. I hope to be doing a larger edition in the future with the help of the funds gathered through the sale of these first editions. If you wish to receive one of the next please message me at info@teufelskunst.com

September 25, 2014

Posted In: Art, Pflanzenkunst, Feast Days, Prints

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