TEUFELSKUNST Occult Art Shop and Blog

Teufelskunst Rosaries

11|11|2016 - Blessing the Teufelskunst rosaries
11|11|2016 – Blessing the Teufelskunst rosaries

Blessed under the cold moon of the eleventh November night, these hand-made rosaries by Soth Arts are a special offer to followers of Teufelskunst. They consist of 58 black and 8 ebony wooden beads and carry one bronze amulet cast by our blacksmith. Please note, each amulet is a little different from the other since small variations are part of the manufacturing process.

The crossroad seal on the amulet is also called “Sigillum Major” or “greater seed sowing seal”, as it is both rooted in the work with plants as well as the rituals performed at different crossroads. A closer look reveals the horned cross or witches’ stang and a non-human eye at its center, underlining the magician’s connection to the wild and untamed world. The rosary and amulet should thus be worn hidden from the mundane eyes of man. It may as such be employed as an empowering tool for the witch as well as a protection amulet against the “evil eye” and the manipulative efforts of other people. It can also be utilized when ritually working with the spirits and guardians of plants and trees.

The rosaries’ inherent numerology reveals the numbers 8, 55, 58 and 66. The following are evocative aspects connected to these numbers, which through prayer and ritual can be linked with the rosaries (gematrical associations taken from Sepher Sephiroth):

8
The entrance, threshold
number of the sephirah Hod and the qlipha Samael

55
Ornament
5 + 5 = 10
10 = number of the sephira Malkuth and the qlipha Nahemoth

58
Secret Wisdom
5 + 8 = 13
13 = number of the descendants of the Qayinite bloodline (sometimes referred to as “mighty dead”)

66
The Mystic number of the Qliphoth and of the Great work
The Lord thy God (is a consuming Fire) [Deut. iv. 24]
6 + 6 = 12
12 = number of the Zodiac and their respective qliphotic adversaries

Within a religious context the rosarium = “crown of roses” or “garland of roses” is the name of a prayer used in the Catholic church and also applies to the string of prayer beads used for counting the component prayers. A similar purpose is found with the so-called witches’ ladder, which consists of threads, hair or feathers tied by a peculiar number of knots into which are whispered spells.

The Teufelskunst rosaries are supplied as a lasting magical talisman to those, who feel a deeper connection with the work presented here. An empowering herbal blend to be used as an incense or for infusing an ablution bath is included with your purchase.

Availability and pricing:

  • beaded rosary with crossroad seal, 80 Euro – Sold out
  • “Key of Thaumiel” amulets with bronze chain, 70 Euro – Sold out
  • amulet with crossroad seal and bronze chain, 50 Euro (11 left)

Shipping:

  • 6,20 Euro for registered mail international
  • 4,99 Euro for shipping inside Germany

For ordering write to info@teufelskunst.com

November 15, 2016

Posted In: Ritual, Talismans, Jewellery, Qliphoth

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Gotha Follow-up

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Impressions from the Samhain Celebration in Gotha, 4th of November ’16

I arrive in Gotha Thursday evening and find the town nearly empty. Having to bridge time and spotting a supermarket nearby,  I buy food, water and a pomegranate… Gotha seems to be a place of short distances. At the train station I meet Soth Arts, who will be my comrade for the next 2 days. We could take the tram but decide to walk. Through the park and by the castle; Gotha has its charm, despite or because it feels very much like a ghost town that evening. We check into our hotel, were I am presented the rosaries made for the event: black and ebony wooden beads harmonize perfectly with the Teufelskunst bronze amulets. I quickly put mine on. We have no time to loose…

Out again in the cold night and in a roundabout way we arrive at the pub. There Martin (the organizer) greets us. We find him surrounded by a bustling team of helpers, who are threading up chestnuts, painting banners and applying various green to the stage. One contributor supplied half of his garden to transform the stage into a theatrical scene worthy of an opera production, and 100% in harmony with the Samhain theme.

We quickly join the industrious proceedings and begin stamping and filling little bags with the prepared incense. It gets late and as we finally head back to the hotel, passing by the park again and from the corner of our eyes noticing different interesting trees and crossroads, we plan our spirit offerings for the coming night: I already have the pomegranate and incense; to this we add rum and candles.

The next morning we continue, finishing the last preparations for the evening. Then we have lunch, buy our offerings and pack everything to come with us tonight. It is all damn tight. Even minutes before the pub opens we are putting finishing touches to merch items and set up our table. In the end all is on time, save for my photo exhibition. It turns out the pub is too dark (behold the irony). In addition I face resistance by the pub owners over hanging up the heavy gallery frames, which would involve the hammering of nails into their walls and timber… The darkness wins, I no longer want for my sombre photographs to adorn the even more sombre pub walls. So I improvise and put up the works on chairs and inside windows, where they are still best seen. This serves as a temporary solution for the evening. A better place has yet to be found.

So this is a bummer. I am also starting to feel the lack of sleep and food and the pressure on me, just minutes before the audience begins rolling in. But I am not alone. Soth Arts is there, being an immense support. Erik from Grift, who I meet here for the first time, cheers me up with Swedish lessons and of course there are the many helping hands that are now waiting to see the result of their hard work. I forget to worry about my photos (whoever is meant to see the works will notice them.)

The venue fills quickly and the first band, Vivus Humare, starts on time, followed by Grift from Sweden, MOSAIC and finally Farsot. All four are new to me. Vivus Humare play Black Metal without much add-ons. The 60 minute performance passes in no time. Grift provide a contrast: there is Erik Gärdefors with his acoustic guitar and little singing bowl. He is the special guest of the evening and delivers a beautifully melancholic performance, which convinces the audience and is met with applause. Then comes the time for MOSAIC, the host of the celebration, if you will. Though Martin performs in fact with three bands on this evening, which deserves respect on its own. I watch the MOSAIC performance closely. Martin appears absent, absorbed in his roll of “Inkantator”. His facial expression are grotesque and there is a cold passion in his voice, which seems to echo from a distant glacier world. We spoke of Dame Hulda and her connection to the town of Gotha before – her icy presence is certainly to be felt on this night.

In between and during the gigs I chat with people dropping by our table. For me this is a new experience, as I have not presented my work with Teufelskunst to a live audience before, much less in a metal concert setting. I am used to black metal and the metal audience due to my photography and past-time freelancing for music magazines, but this is altogether a different situation. I was not sure at all if this would work out and whether the audience would accept and treat the hand-made artworks with respect. But it turns out they do, which is partly owed to the solemn atmosphere. On the other hand I also burn plenty of our protecting incense…

Those who are shy or can not relate, do not bother us. Others become curious: metal fans inquire for gardening advice and buy incense. Some communicate their understanding or serious interest in occult symbolism and practices. In the end there are around a dozen people that drop by our table, leave positive feedback and purchase photography as well as crafted items. It is nothing I take for granted and I am thankful for each and everyone one that shows interest. A special thanks goes to Soth Arts as well as Martin and his amazing co-workers. The spirits are thanked elsewhere.

Now I will leave you with these impressions in picture and sound, but not without a hint that you shall prepare for new offerings in November…

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Handmade twin-serpent rosaries by Soth Arts

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Teufelskunst harvest seal used as a focal point for the night; the stage was decorated elaborately with fern fronds, ivy, bladder cherry, shocks, corncobs and chestnuts.

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Official merch, including journal with my Samhain essay, music tape, leather amulet and Samhain incense blend

Reviews and further reading:

November 9, 2016

Posted In: Art, News & Site Updates

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Samhain Celebration Gotha

Teufelskunst contributes to the Samhain Celebration on November 4th, in Gotha (Germany). Teufelskunst provides the central part of the visual concept in the form of the “Samhain harvest” seal, which is featured on various merchandise articles. Teufelskunst also provides the incense of the night. A sample of the blend comes with each of the 100 merchandise kits. Included in this special offering is also a journal, the “Samhain Herald” featuring my essay about Samhain and the Wild Hunt, paying special attention to the European and Germanic traditions associated with the darkest time of the year.

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Samhain Incense 2016

Support: Soth Arts

Soth Arts created unique qliphotic rosaries for the night, eight of which are adorned with our blacksmith’s  Teufelskunst bronze amulet. The rosaries are made of ebony and black wooden beads. Besides this will also be available seven rosaries with sawn-out twin-serpents as well as one rosary with a black Calvary cross pendant:

Soth Arts rosaries  Soth Arts rosaries

Date: November 4th
Location: The Londoner – English Pub, Gotha
Entrance: 6 pm
Begin: 8 pm

Tickets:
VVK: 15€, AK: 18€

November 2, 2016

Posted In: Art, Feast Days, Essays, News & Site Updates

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