folklore – Teufelskunst

Raven King

This is my second work representing an ‘animal’ spirit. In this sigil I combine mythology and spiritual lore connected to the Corvidae family.

Ravens and crows both feature extensively in the mythology and folklore of basically all continents and nations. I cannot remember when exactly my own journey with these animals started. But they continue to present me with the most auspicious magic and moments, whenever I open up and notice their ever-presence. Hence, when a friend inquired for a crow skull tattoo, I already felt a deep connection to the animal’s collective spirit. But I was lacking actually knowledge and education. So began my reading and study journey, for which I received wonderful help and recommendations. The sigil art presented here is now the quintessence of this autumnal journey with the crows, ravens, magpies, jackdaws and grosbeaks around me and their universal lore.

In November 2019 I created the first 7 of altogether 14 miniature drawings. The sigils are drawn with ink on imbued paper, which has been infused with coffee and a tincture created from the accompanying incense blend. Each sigil is signed and numbered on the back. The sigils come in a black cardboard box + 30 ml bag of “Raven King” incense.

Incense contains: birch, blackthorn, black alder, black copal, black myrrh, black sacra frankincense, cypress, elder, human bone, juniper, oak, rowan, tobacco, walnut, white sage, yew

Artwork size: ca. 12,5 x 12,5 cm, box size: ca. 13 x 13 cm

limited to 2 x 7 (6 available)

November 15, 2019

Posted In: Art, Incense

Tags: ink, crow cult, original art, spirit animals, ink drawing, bestiarium, sigil art, mythology, ink drawings, ravens of dispersion, totems, sigilla magica, aarab zaraq, sigils, crow, kerasu-tengu, magic, raven, corvidae, art, animal spirits, folklore, raven cult

Sacred Bee

This is the first work in the “Sigilla Magica” series representing an ‘animal’ spirit. In this sigil I combine mythology and folklore connected to the honey bee and pollinators in general.

In ancient Cretan civilization the honey bee was part of religious worship and priestesses, the “melissae” were named after it. There are depictions of half human, half bee-shaped spirits and fertility goddesses, hinting at an ancient bee and honey cult. The art of bee keeping was viewed as sacred. Bees were believed to have fed the infant Zeus in the Diktaean cave on Crete. On the other hand bees were also connected to the underworld and the dead, since bees would inhabit crevices in rocks and caves and the bodies of kings and other important persons were embalmed in honey. In Asia existed the practice of preserving the dead in honey for a year and then eating the honey. One superstition holds, bees were (along with lizards and snakes) carriers of ill omen and the evil eye. Hence amulets with beheaded bees were worn to ward off the evil eye.

Since I foster an own witch garden, it was only logical to create an atavistic artwork for the spiritual essence that connects all the insects, which pollinate my plants. After a visit to Crete and the archaeological museum in Iraklion, as well as reading Hilda M. Ransoms book “The Sacred Bee”, I felt all the more inspired to create small talismanic works with my own take on the topic. The sigil itself though is already a few years old and I originally titled it “Regina Bombina”, a reference to the divine and royal nature of the bee.

In 2018 I created 4 drawings with ink on a coffee- and honey infused paper. The paper sigils are signed and dated on the back. They are mounted on a black cardboard passe-partout and come in a black cardboard box, which is signed and numbered. Along with the artwork you also receive a 30 ml bag of “Necroneiromancy” incense.

Artwork size: ca. 9 x 10 cm, passe-partout size: ca. 12 x 12 cm

4 available

November 21, 2018

Posted In: Art

Tags: animae, totems, bee cult, greek mythology, ancient, sigils, folklore, sigil art, regina bombina, sigilla magica, bumblebee, bee, sacred bee

New “Flower Devils”

Or better said, postcards with new “Flower Devils” can now be ordered from me! The new cards feature newly captured impressions from the summer 2018 as well as some of my earliest photographs in this series, including the auspicious “Henbane Devil” on black henbane flower, which initiated and from which the series got its name.

In German folklore, witches and even the devil himself were believed to take on the shape of bumblebees. A bumblebee-wax candle was lit in church, if a witch was burnt at the stake. Evil people were cursed with having to return as a bumblebee after death. The sub-earthen drone sound of a bumblebee signaled the presence of the dead. Instead of consecrated wavers, bumblebees were allegedly served at black masses. Bumblebees were also superstitiously feared as carriers of sickness and ritually buried to drive out plague. On the other hand, a dead bumblebee worn in the pocket, was believed to ensure the purse would always be filled with money. And he, who managed to secretly steal the bumblebee’s honey, was destined to find a huge treasure. Hence bumblebees were both viewed as good and bad omens.

The other new cards are:

“Belladonna Devil” et al – large earth bumblebee entering a deadly nightshade flower, common carder bees on comfrey and viper’s bugloss flowers, wasps mating on our white lavender, bee inside crocus flower after a long winter

Impressions from recent trip to Crete – symbol laden honey bee among the ruins of the Minoan palace in Malia, a small wasp nest on prickly pear, protected sea daffodil flower with Mediterranean sea in the background

Last but not least, cards with unfolding flower of the “Black Devil” datura, blue Aconite and green Henbane “Dragon” and – upon request – myself among the green “devils” in our garden.

October 2, 2018

Posted In: Garden, Prints

Tags: folklore, postcards, flower devils, pollinators, bumblebee, bee, wasp, witch herbs, butterfly, poisonous plants, insects, nature, garden

Mandrake Roots and Art

This project began earlier in 2016, when parting with a few homegrown live mandrake roots and sending them to new homes. Part of the deal for the new owner was to commission a portrait of the very root they were to receive.

Each root is drawn with ink and quill on stained paper. Attention is paid to the peculiar shape and features of each root. The result are detailed portraits, which are not only unique pieces of fine art but which also give the owner a reference, when the roots are planted back into soil.

Examples of roots that have left my own mandrake family and joined new homes: