For the coming 7 days the Teufelskunst Instagram and Facebook page will be filled with works by the talented Emery Kereru from New Zealand.

Emery is the first artist to hijack Teufelskunst. Read on why…

• 

• 

• 

“Emry Kamahi Tahatai Kereru is a lifelong devotee of the black art from the Mot Valley, New Zealand. His works serve as record of a soul’s descent into perdition, through the arts bequeathed by fallen angels. He favours steel-point illustration as a medium, for its precision and control. Through symbolism he hopes to grasp the language of the divine and the mysteries of the Great Work. By realistic as possible illustrations of baneful witching herbs he has tried to capture the natural forms that carry a trace of their inmost essence. Faith is the basis of all he does, and he strives for as great a distance as possible from ego driven occultism and the empty regurgitation of familiar images and forms, disconnected from rooted contextual meaning. These works are true reflections of a lived experience beyond expression.”

Asked for his signature, Emry sent me this magic quare: 

@e.m.s.a.r.t.s would you be willing to explain to my followers, how you went about constructing it?

E: “The magic square came to me during a period of intense prayer bathing in the river and fasting. It cyphers and rectifies my own name + arts mission into a Latin verse based on Revelation 21:8. EX MORTEM SECUNDUM ASCENSURA REVELATIO TEMPLUM SATHANAE, in seven descending columns, across the bottom line it reads simply A + O, which represents Spirit as the beginning and end of all, and the goal of the Great Work. The raising of the Temple, in a metaphoric sense, by the Sons of Fire, in 49 letters is 7×7, the Lord’s Prayer recited sevenfold and also 4 + 9 = 13, the bloodline of Lucifer. The weeds of the field are pulled up and burned in the fire, second death, which is perdition of the soul upon the descent of seven steps, to dedicate oneself to the spiritual work through the Devil’s pact.

The signification is that works are undertaken as an exercise of devotion and self rectification with approval of spirit.

So these works shown here are actually drawn on the blank pages from the beginning and end of bibles stolen from Christians. At the time I was hitchhiking to town once every week or two and living on about $20 a week mostly eating potatoes or weeds foraged off the land.

So I would hitch a ride to town, steal a Bible, buy a bottle of wine and a packet of lambs hearts and a few other small items. The rest of the books was used as firelighters for ritual fires of Cypress, Laurel even Yew or other specific woods.

The pages marked with the witching herbs are wordless, before Genesis and after Revelation. The rest is torn up and burned in the fire. The series is entirely symbolic and every work is prayed over with offerings to the plant spirits. Each took about three full days outside.”

The next image shows an impression from an exhibition of Emrys botanical drawings. It was this that caught my attention. I had known Emry from before, though only through e-mail contact. He was one of the first to order poison garden seeds from me. Nevermind he was in New Zealand…

Years later he sent me drawings he had done of various plants. It was just a glimpse, but it was clear, that he was serious about drawing and it looked good, meaning, professional. So I followed his steps in art and mixed media over the past 3 years. And it is with joy, that I now present to you this first small retrospective.

1 week, 9 posts. Watch out and enjoy the stories that come with each…

October 9, 2020

Posted In: Art

Tags: interview, emsarts, occult art, steel-point, art, drawing, international artists, features, hijack, takeover, instagram, facebook, artists, emry kereru

Leave a Comment