TEUFELSKUNST Occult Art Blog
TEUFELSKUNST
Occult Art Blog

Beltane Illustration Prints + Incense

Several weeks were spent on this illustration and incense for the annual celebration of Beltane, exploring folkloric and mythical backgrounds of this important spring festival.

In European tradition it is the cuckoo that announces the arrival of spring. It is celebrated on the first day of May and often the evening preceding the celebration of light is filled with drinking and ecstatic dancing. It is also then that the maypole is installed.

This pole is at the center of the celebration. On top of it is seated the green wreath made of seasonal flowers, herbs and green tree branches. The pole itself is often a birch tree or spruce from a nearby forest. Around the wreath are tied colorful bands in white, green, yellow and red or showing local colors. The red may represent the blood of sacrifice – on such important festivals animals were sacrificed in the name of the gods and then consumed. The red could also stand for the blood of the virginal goddess of spring as she enters into union with the sun god Belenos (or Bel), the “bright one”. The pole and the wreath stand for a sacred marriage of Flora / Persephone and the sun god or the god of the wild. In their likeness the May queen, usually the fairest and most skillful of all the young women is elected together with her future spouse – the man that first climbs on top of the maypole. He then becomes the green man, as his body is painted green, his face blackened and wearing a mask of leaves. He also represents the Oak king (summer) that has defeated the holly king (winter).

Viewed from above, the circular shape of the wreath becomes the gate of the cauldron of the Cerridwen, inside of which is brewed the elixir that transforms the innocent boy Gwyon into the enlightened man Taliesen, the “bright one”, right on Beltane. Part of the brew are nettles and black henbane – perhaps the most important shamanic initiation herb of Europe. Noteworthy, it is only three drops that carry the magical essence – the rest of the brew is poisonous, and as Gwyon is shocked when accidentally spilling three drops on himself, he pours out the rest and poisons the surrounding rivers. Needless to say, Cerridwen is furious when she finds out about Gwyons mishap and chases him mercilessly. During a brutal transformative initiation marathon he turns in to a rabbit (earth), a fish (water), a bird (air) and finally into a wheat kernel = seed (fire). The Cerridwen turns into a black hen and swallows him. In her belly he is reborn as an utterly beautiful boy, who she cannot kill. She abandons him to the sea. Washed ashore he is found right on the first day of May and becomes Taliesen, the “bright one”.

The old Irish Beltaine is derived from common Celtic belo-te(p)niâ, meaning “bright fire”. Fire is often part of spring and May Day celebrations, e.g. for cleansing (burning) the old and making way for the new or as a simple reference to the return of the sun. The sun god was also known as Bel or Belenos.

Field flowers that carry the signature of the sun are the dandelion and daisy. They are often part of the flower crown worn by the May queen. Other flowers from which the wreath is made are ground ivy, which exposes the presence of any witches. The crown is often also made of hawthorn which blooms now or the fragrant (but poisonous) lily-of-the-valley.

The linden is another important tree in May day celebrations as it is often at the center of gatherings and dance. In some areas it is also costum to install green birch trees with a heartshaped sign on which the name of the adored girl is written as Maypoles infront of her home. It is then left to her to guess who the admirer is.

Entering the blue hour, the bats are out and the spirits of nature join the round dance, as the warm air is sweltry from the smell of blooming lilac, elder and broom. It is not hard to imagine how the dancers would transform into broom stick riding witches and their animal familiars. The Mayday customs were of course abhored by Christian church officials, who re-dedicated the feast day to Saint Walburga and renamed it into Walpurgisnacht and turned the sacred bonfires into pyres. But the celebrations continue unto this day and the nature spirits are there for who reaches out to them.

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Included in this offer are 1 black on black and 1 black on green A5 print + “Beltane” + “Walpurgisnacht” incense blends. Limited edition of 12 copies. Shipping now!

April 24, 2025

Posted In: Art, Feast Days, Prints

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Mandrake Phytographs

Mandrake Phytographs from 2023

Living and dead mandrake roots are drawn with India ink on absorbent paper, which has been infused prior with coffee, soil and the body of the portrayed mandrake root. It is meant as a collector’s item in a series of “Root” drawings, which I have been creating over a number of years.

Drawings from this series have been exhibited for the first time in 2017 in Berlin as part of the “Bad Intentions” group exhibition, alongside internationally renowned artists from Isreal and Palestine. They were also featured in an online exhibition titled “ROOT”, held in 2021 by The Organic Centre Ireland during the Corona pandemic.

The artistic process that I refer to as “phytography” has been introduced to a larger audience in 2022 during the virtual “Viridis Genii Symposium VII” and has been published as part of the accompanying book series.

Choosing mandrake as an artistic theme is tapping into and continuing an anthropomorphic mandrake root cult, which can be found throughout millenia of human civilization. My research on the religious symbolism and folkloristic mandrake traditions was published in the article “Regina Amandrakina” featured in “Pillars” journal released by Anathema Publishing in 2014. A summary of mandrake’s purported magical properties is attached via the info sheet accompanying your drawing.

The roots are portrayed in and beyond their physical form, employing different layers composed of physical matter from the root and the detailed ink drawing created during many hours, in which I establish a deeper connection to the plant soul. During this process I gain ‘magical’ experiences, such as roots that seemed dead suddenly starting to thrive again, which is in line with mandrake’s alleged necromantic and resurrecting powers.

Even more satisfying is to see the roots finding new life in new homes and transforming and functioning as divinatory tools and serving as magical famuli in the hands of other mandrake enthusiasts.

January 5, 2024

Posted In: Art, Pflanzenkunst, Mandrake Project

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Frau Holle, Old Mother Frost…

Beginning of this year I started a journey with a goddess I had always known from legend and fairy tales but never actually approached ritually. A simple request, whether my Rauhnächte incense could also be used for honoring her, lead me to change my perspective. Eventually I spent the whole year researching and gathering herbs that connect to her essence and bring out her different light and dark aspects to finally compose an incense which evokes the obscure deity in her wholeness.

Lacking any image representing her I also designed a new sigil for her, who…

  • resides on a white mountain top, at the depth of a well, in the clouds or in hell
  • is the goddess of spinning and weaving, winter and death, childbirth and vegetation
  • contains the souls of the unborn and stillborn in her well, grants fertility and receives the souls of the dying
  • governs legions of elves and gnomes, presides over witchcraft and the sending of nightmares
  • sends snow and hail, rain and frost over the land and leads the wild hunt
  • visits earth during the twelve coldest nights, blesses the diligent and punishes the indolent
  • appears as a beautiful virgin of the dawn, fertile mother of man at day, devil’s sorcerous grandmother at night
  • is the companion of the green-man during spring and summer and the spouse of Wode, the hunter, during the dark half of the year

She is known as Percht(a), Berchta and Bertha in upper Germany (who may have Celtic roots), Holle or Holda, holde Frau, Frau Venus in Middle Germany, Frau Herke/Harke or Gercke, Frau Gode/Gaude, in lower Germany, Murawa (a night demon in Saxony) and Spillaholle in Silesia. All these names are present throughout different parts of Germany and are expressions of an older omnipotent goddess.

In Bohemia she is also simply known as Frau Holle, a small and ugly old woman, who carries a batch of stinging nettles. During the twelve cold nights of winter (twelve yule nights) she visits earth and looks into the homes, to see, if the spinners have finished their work or are still spinning. The latter she punishes by beating them with the nettles. But those who have finished their spinning are blessed with a single nettle twig left in the home that protects the house from misfortune for the whole coming year.

A Silesian rhyme about the Spillaholle goes:

Spinnt, Kinderlein, spinnt,
Die Spillalutsche kommt;
Sie guckt zu allen Löchlein rein,
Ob das Strähnlein wird bald fertig sein.

Spin, little children, spin,
The Spillalutsche comes;
She peeks through all the little gaps,
If the little strand will be finished soon.

Spillaholle occurs as an especially cruel and mean version of Frau Holle, since she kills the children, that she has caught spinning at night. She also scares people to death. She is accompanied by wood sprites, a tomcat and a goat.

Holle Incense 2023

November 26, 2023

Posted In: Art, Ritual

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“Dead Astronaut” is aLive

It’s wonderful to be receiving such feedback! Remember last year`s mandrake post about “Alien Monstress” and “Crippled Astronaut”? Well, who would have guessed that! First photo shows a recent post by obviously blessed and knowledgable David ‘Mr. Mandrake’ Simmons. Second photo is of the same root about a year ago and third is of my ink portrait, now framed and adorning D. Simmon’s wall. Thanks David!

In memoriam H.H. Ewers

July 17, 2023

Posted In: Pflanzenkunst, Mandrake Project, Herbs & Seeds, Art, Ritual, Garden

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Viridis Genii Symposium VII, Follow-Up

For those who missed out on the virtual event, you can still order the VGS publication featuring my essay on Phytography (introducing the term) and my encounter with the guardian of the witch hazel, as well as two illustrations by me: https://viridisgenii.com/product/viridis-genii-series-7-vol-2/

My gratitude goes to the organizers Catamara and Marcus as well as the team of people that made it all possible, especially Kim, Katrink and Prof. Porterfield. Huge thanks also to the people that attended and took part in the workshops, especially David. We made it work, despite catching Covid, despite hurricanes and despite all the other obstacles. I am looking forward to the next point in time when the portals open for communing with the genii of the plant kingdom. Below is a summary of my presentation and workshop.

1 hour live presentation with Q&A

Creating Magical Images of Plants – Combining Phytography and Ritual Magic

1 hour lecture + 3 hour workshop included the following topics:

  • methods of ritual magic, sympathetic magic and planetary magic
  • indepth information on plant pigments
  • short history of nature printing
  • alternative photography processes feat. work by Malin Fabbri and Kristina Feldhammer
  • Datura wrightii flower at Pinwheel Cave California
  • examples of phytographs created with coffee and plants
  • workshop guides through the ritual creation of your own magical plant paper talismans
  • question & answer on anything plant/ritual related

Workshop materials provided to attendents included:

  • ritually harvested, pressed flowers and plants
  • absorbent paper
  • signed print of the witch hazel seal

Phytographs created during the 3 hour workshop:

  1. Magnolia, hour of Venus
  2. Fennel, hour of Mercury
  3. California Poppy, hour of Mercury + Moon
  4. Blue Lotus, hour of Moon
  5. Witch Hazel, hour of Saturn

October 17, 2022

Posted In: Art, Ritual, News & Site Updates, Events

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Viridis Genii Symposium VII

I am pleased to be giving a lecture and hosting a workshop at this year’s Viridis Genii Symposium!

It is only possible thanks to the event being held online again that I am able to participate and share my knowledge. So this is a rare opportunity for people outside of Germany to attend and ask me all the questions that you always wanted to ask me about plants and my art with plants, including my plant sigils.

So what can you expect that will make it worth to purchase tickets?

You will:

  • receive a unique workshop kit with powerful magical plants that have been harvested ritually and are already arranged and pressed for you (to be purchased separately for a humble 12 USD fee)
  • work creatively in a relaxed and meditative surrounding
  • expand your ritual routine and connect collectively to the plant spirits
  • get a unique chance to ask me questions about your favorite plants
  • at the end you hold a concrete and potentially magical talisman in your hands

In the lecture I will introduce the term “Phytography” and guide you through the history of nature printing, from cave paintings, to medieval herbals, to Leonardo da Vinci, to modern alternative photography, including examples by contemporary artists such as Malin Fabbri and Kristina Feldhammer. We will talk about the “blood” of the plants and their other juices, plant pigments and in how far the coffee based phytographs that we will produce in the workshop can be considered “magical images” of the plants, through the use of sympathetic magic and astrological correspondences.

Tickets: viridisgenii.com

NOTE: The number of workshop participants is limited to 30!

Besides, there is an annual publication accompanying the event. This year’s book features my essay on Phytography, two illustrations and a lucid experience with the guardian of the witch hazel. The book has just arrived fresh from the print and can be ordered now from Rosarium Blends!

Note: deluxe ticket holders will automatically receive a copy.

Preview of the plants that come with the workshop kits – included among others are: thorn-apple, bryony, bindweed, lily-of-the-valley, forget-me-not, periwinkle, ferns, enchanter’s nightshade, barrenwort, wormwood, mugwort, fennel, various spring blossoms such as violets, daffodils, linden leaves, cherry, lilac, elder, hellebores etc. all carefully arranged and ready for use. It’s been a hell of a work… 😉

September 15, 2022

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ROOT Art Exhibition Online

Honored to have been asked to take part in “ROOT”, the inaugural online exhibition hosted by The Organic Centre & creatively coordinated by artist Sarah Ellen Lundy as part of the pairs ongoing collaborative ‘Project Earth’.

https://www.rootexhibition.com/

December 22, 2020

Posted In: Events, Exhibitions, Art, Pflanzenkunst

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Artist Takeover #1: Emry Kamahi Tahatai Kereru

For the coming 7 days the Teufelskunst Instagram and Facebook page will be filled with works by the talented Emery Kereru from New Zealand.

Emery is the first artist to hijack Teufelskunst. Read on why…

“Emry Kamahi Tahatai Kereru is a lifelong devotee of the black art from the Mot Valley, New Zealand. His works serve as record of a soul’s descent into perdition, through the arts bequeathed by fallen angels. He favours steel-point illustration as a medium, for its precision and control. Through symbolism he hopes to grasp the language of the divine and the mysteries of the Great Work. By realistic as possible illustrations of baneful witching herbs he has tried to capture the natural forms that carry a trace of their inmost essence. Faith is the basis of all he does, and he strives for as great a distance as possible from ego driven occultism and the empty regurgitation of familiar images and forms, disconnected from rooted contextual meaning. These works are true reflections of a lived experience beyond expression.”

Asked for his signature, Emry sent me this magic quare: 

@e.m.s.a.r.t.s would you be willing to explain to my followers, how you went about constructing it?

E: “The magic square came to me during a period of intense prayer bathing in the river and fasting. It cyphers and rectifies my own name + arts mission into a Latin verse based on Revelation 21:8. EX MORTEM SECUNDUM ASCENSURA REVELATIO TEMPLUM SATHANAE, in seven descending columns, across the bottom line it reads simply A + O, which represents Spirit as the beginning and end of all, and the goal of the Great Work. The raising of the Temple, in a metaphoric sense, by the Sons of Fire, in 49 letters is 7×7, the Lord’s Prayer recited sevenfold and also 4 + 9 = 13, the bloodline of Lucifer. The weeds of the field are pulled up and burned in the fire, second death, which is perdition of the soul upon the descent of seven steps, to dedicate oneself to the spiritual work through the Devil’s pact.

The signification is that works are undertaken as an exercise of devotion and self rectification with approval of spirit.

So these works shown here are actually drawn on the blank pages from the beginning and end of bibles stolen from Christians. At the time I was hitchhiking to town once every week or two and living on about $20 a week mostly eating potatoes or weeds foraged off the land.

So I would hitch a ride to town, steal a Bible, buy a bottle of wine and a packet of lambs hearts and a few other small items. The rest of the books was used as firelighters for ritual fires of Cypress, Laurel even Yew or other specific woods.

The pages marked with the witching herbs are wordless, before Genesis and after Revelation. The rest is torn up and burned in the fire. The series is entirely symbolic and every work is prayed over with offerings to the plant spirits. Each took about three full days outside.”

The next image shows an impression from an exhibition of Emrys botanical drawings. It was this that caught my attention. I had known Emry from before, though only through e-mail contact. He was one of the first to order poison garden seeds from me. Nevermind he was in New Zealand…

Years later he sent me drawings he had done of various plants. It was just a glimpse, but it was clear, that he was serious about drawing and it looked good, meaning, professional. So I followed his steps in art and mixed media over the past 3 years. And it is with joy, that I now present to you this first small retrospective.

1 week, 9 posts. Watch out and enjoy the stories that come with each…

October 9, 2020

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