The most exquisite incense blend I may have composed up to this day, contains costly aloeswood, sakura blossoms, white lavender, benzoin siam resin etc. and is my personal “if all else fails” agent. I made it recently for myself and for my dad, who was extremely moved and emotional over receiving it. He does not burn it as incense but simply enjoys smelling on the incense glass.
The blend itself is inspired by a dream of flying – an intense and surreal experience. Imagine you are flying on a magic carpet and find yourself enveloped in a whirlwind of sakura blossoms*, their tender petals gently brushing your face. The magic carpet moves swiftly and carries you further, across endless lavender fields, letting you observe the world from a birds eye view. In an abandoned landscape garden fragrant roses release their sweet scent in the sun’s warmth. At the end you land smoothly, in a familiar place, with both feet planted firmly on the ground. In my dream this place was near a cemetery, I had been visiting so often and there I met and received guidance from a dead friend. Whilst the incense blend does not contain any necromantic herbs, it can still open astral channels to one’s tutelary spirits, which may also include dead friends.
The seal adorning the incense vessel is my “dream gate” seal, which is inspired by the aforementioned dream and which I have used in various contexts and in connection with different deities:
Uses: restful sleep, inspired dreaming, protection, joy, receiving guidance from familiar and tutelary spirits in dream, honoring the spirit of the cherry tree
Contains: aloeswood, benzoin siam resin, cherry blossoms, lavender buds, fragrant rose petals, star anise, styrax-scented charcoal, black and silver olibanum resin
* in Japanese tradition the falling sakura blossoms stand for the souls of the dead
Available options and pricing:
100 ml violet glass jar – 39,90 Euro
50 ml violet glass jar – 22,90 Euro
60 ml brown glass jar – 22,90 Euro
120 ml brown glass jar – 39,90 Euro
Order this blend via e-mail and from my etsy shop – CURRENTLY SOLD OUT
Besides, this incense provides a good alternative for persons allergic to mugwort etc.
This is a basic incense blend that you can use in daily or weekly offerings on the altar dedicated to the ancestral, beloved and the mighty dead. It consists of equal amounts of myrrh, wormwood and white sandalwood. This blend can easily be adjusted for different purposes, e.g. for “talking” to or “appeasing” the souls of the deceased. Fitting herbs for modifying this blend can be ordered along with it. (see below)
Contains: fresh myrrh resin, white sandalwood, self-harvested wormwood
Oneiromantic incense of the Dead
This blend is designed specifically for contacting the dead in dream and receiving advice about the future. It contains the same ingredients as the veneration incense of the dead and is enhanced with soporific and oneirogenic ingredients, e.g. sandarac resin, mugwort, jasmine and brugmansia flowers, privet flowers and white rose buds. The blend should be burned an hour prior to sleep, in a calm surrounding. It is meant to help the practitioner find a calm state of mind and enter a deep and restful sleep, which is the premise for experiencing sustained and long dream sequences. The same blend can be used for ritually recalling these dreams. It is helpful to use a photograph and other personal links to the dead, whose presence is sought in dream. These links can be placed for example beside the bed or under the pillow.
Safety advice: Please do not leave burning coals unobserved! Don’t burn incense if you feel too tired to pay attention. Instead simply smell on the jar before sleep and burn the incense, when you are well rested and want to revisit the dream experience.
Contains: brugmansia and jasmine flores, fresh myrrh resin, privet flowers*, sandarac resin, self-harvested mugwort and wormwood, silver frankincense, white sandalwood, white rose buds
This list is far from complete, but gives an idea to which end certain resins and herbal agents can be employed in connection with the dead. The blends presented above are meant as starters for exploring the vast and increasingly complex field of “necromancy”.
This incense blend is dedicated to the rituals surrounding the summer solstice, when the sun reaches it’s annual zenith. The ophidian seal adorning the vessels that contain the solstice incense, is inspired by the viper’s bugloss (Echium vulgare) herb.
The ingredients for this blend are the herbs and flowers traditionally associated with the summer solstice. The incense blend evokes in particular a vision of a summer meadow at dusk: bushes of blue flowering viper’s bugloss cover the ground and transform into nests of serpents. Plantain, thistle and St. John’s wort grow at its side. Nearby, the fragrant yellow flowers of the evening primrose glow in the evening light and emit their sweet scent into the sweltry air, attracting the most wondrous kind of fairy folks…
Use this incense blend for cleansing, purification and letting go of the old, for protection, renewal, celebrating the night, inspired dreaming and creativity. The blend can also aid in decision making: cast out the serpent as a symbol of “evil” or embrace it as a symbol of wisdom and become a serpent yourself.
Update: In the previous message the title image and some links were not working. These have been fixed now. Thanks for reading and have a blessed solstice!
Finished the first week of January, moon first quarter: the long awaited second batch of Adramelech incense is here. It is so far my most eclectic and also most tedious incense blend in the making. Deep yet aerial, fiery yet also fresh, repulsive yet also strangely attracting – an incense both for the living and the dead.
The incense includes some rare herbs and complex resins such as elemi, opoponax, guggul and galbanum. The spiritual and magical links to the deity Adramelech have been discussed before. This time I will highlight the ingredients that compose this kaleidoscope of fragrant herbs, resins and woods. This is part I.
Adramelech Incense, January 2017
Keywords: Adramelech (name of qliphotic ruler), Samael (name of qlipha, meaning “poison of god” or “blindness of god”), Shaarimoth (name of infernal habitation, meaning “gates of death”)
Associations: Mercury, cunning, eloquence, wit, seduction, trickery, disobedience to God, intoxication, oneiromancy, necromancy, knowledge about poisons
A blessed seed…
Black caraway (Nigella sativa) is also known as black cumin and blackseed. The small black seeds are aromatic and used as a spice. Their aroma is described as a mix between onion, black pepper and oregano. N. sativa was a traditional Old world condiment. N. sativa seeds have been found in several sites from ancient Egypt, including Tutankhamun’s tomb, though its exact function in this context is unclear. It is mentioned in Isaiah 28: 25, 27, where the reaping of nigella and wheat is contrasted. In Islam it is believed, the black seed heals all except death. The famous Persian physician Avicenna describes N. sativa and mentions in particular its use for dyspnea. The oil is used to treat allergies and asthma as well as gastrointestinal diseases and many other health related issues, and is even capable of suppressing cancer cell growth. In magical literature the seeds are also referred to as “blessing seeds”. As the name suggests, the seeds are used for blessing, but also to bring forth the truth and to ritually banish bad people. The black seed is an essential ingredient in this incense blend.
Spicing up…
Caraway(Carum carvi) is a culinary herb, which has been used for at least 3000 years. In folk medicine it is well known as a carminative and galactogogue. In folklore and magic caraway is attributed with the power to be protective of Lilith (particularly pertaining to newborns) and any form of “evil”, e.g. it is thought to protect from sickness and the evil eye. The seeds are carried as a protection against theft. Caraway is a herb ruled by mercury. Harold Roth notes that its aroma has something earthy about it, hence caraway may qualify for psychopomp rituals. Besides this caraway is considered lust inducing and employed in sexual attraction spells. Chewing the seed is thought to help attract the love of the one desired. Truth is, chewing a few caraway seeds helps against bad breath. Caraway is also a natural pesticide. I chose to include caraway in this blend because my attention was drawn towards umbelliferous herbs in connection with this qlipha. It teams up herein with common fennel and poison hemlock.
Bittersweet and soothing…
Bittersweet Nightshade (Solanum dulcamara)
Bittersweet nightshade (Solanum dulcamara), also known as woody and climbing nightshade, fellonwort, poisonberry, poisonflower, scarlet berry, snakeberry, trailing bittersweet, trailing nightshade, violet bloom, blue bindweed and amara dulcis. This plant is one of my favorites. It is a climber that can take over hedges if permitted and – just like a snake – as long as it finds something to support itself. The branches can get up to 7 meters long. The plant, including its lovely purple flowers, is the stuff that fairy tales are made of. The bright red berries taste bittersweet and are a temptation to try, especially for children. But all parts of the plant, including the ripe fruits, are poisonous. The stems of bittersweet nightshade contain cortisone-like substances. Its folk medicinal applications include blood cleansing teas, treating nausea, vertigo, rheumatism, skin diseases, chronic bronchitis and asthma. The bitter sweetness is a reminder to consider both sides of the story. It could stand for the joys and pains of amorous affairs and romances, or the ‘price to be paid’ when the luxuries of the one are built upon the laborious, literal ‘dog’s life’ of others. In this context bittersweet nightshade may function as a soother as well as a revealer. Harold Roth mentions its magical potential for healing bitter memories and bringing balance. Bittersweet nightshade inhibits immune overreaction and eases stress-related symptoms such as neurodermitis. It may be helpful in stressful periods resulting from heavy work load or pressure to succeed as well as for overcoming loss. As such it shows typical mercury ruled attributes. Contained herein are the bittersweet nightshade’s leaves, stems and fruits.
A sexy and deadly devil…
Another poisonous plant ruled by mercury is the cuckoo-pint (Arum maculatum), also known as common arum, adder’s root, arrow root, lords-and-ladies, naked girls, naked boys, Adam and Eve, jack in the pulpit and devils and angels. Already the plant’s folk names are suggestive of the ‘devil’ and carry plenty of sexual allusions. Its dark green leaves are spade-shaped, with a lustrous surface and sometimes carry distinct purple spots. The shape of the flower resembles a chalice or vulva with a phallus-like inflorescence emerging at the center, which emits a scent imitating decay to attract flies as pollinators. It later transforms into a shiny, bright-red or orange infructescence. Arum grows in shady and damp places. The venific nature, voluptuous appearance and cold moistness connected to the arum are aspects I have also come to associate with the qlipha Samael. The name devils and angels in addition carries a nice link to the ambiguous nature of its ruler, who occurs both as an arch-demon and arch-angel. Common arum is poisonous in all parts, the root though would be roasted and eaten, as it is rich in starch. This blend contains the cuckoo-pint’s root.
Marked…
Poison Hemlock (Conium maculatum)
The next plant is even better known for its peculiar markings. Scattered across the pale green stems and leaf axils of the poison hemlock (Conium maculatum) are dark red to brownish-purple spots. Due these markings plants are given the specific name, maculatum, meaning “stained” or “spotted”. In the esoteric world these markings are viewed as a signature left by the serpent Samael on the plant in the same way that he gave the Mark to Qayin. This mark is a warning to others and at the same time protects its wearer from harm. In the case of the plant it visually distinguishes the poisonous hemlock from harmless lookalikes, such as Parsley or Queen Anne’s Lace. Hemlock brings a slow, cold death. Socrates, an impudent seeker of truth and opposer of authority, was sentenced to death through the poison chalice, which contained fresh hemlock seeds and opium. For this and other reasons poison hemlock is an essential ingredient in this incense blend in his roll as poisoner and lurer at the “gates of death”, as well as protector of the cursed. By extension the herbs functions also as keeper at the threshold of sleep. This blend contains poison hemlock seed, flower, leaf and stem. Btw. poison hemlock stinks! The animalic odor however is covered by the other fragrant ingredients used in this blend.
Eye-opener…
Fennel (Foeniculum vulgare)
The third herb in the umbellifer family is common fennel (Foeniculum vulgare). This herb was actually among the first ingredients and became a main inspiration for this incense formula, when observing the huge fennel stalks in our garden reaching high towards the sky and swaying majestically in the wind. Fennel is a fiery herb, said to strengthen eye sight and attributed with divinatory and overall benific properties. Contained in this blend are fresh fennel seeds from our garden as well as sweet green fennel seed. Its Mediterranean cousin, the Giant Fennel (Ferula communis) features prominently in Greek myth: Prometheus stole the fire from Mount Olymp and delivered it to mankind, carrying its flame in a giant fennel stalk. With his trickery and theft Prometheus brings, not for the first time, the wrath of Zeus upon him, who has Prometheus chained to a rock and his liver eaten out by an eagle (Zeus himself). As the blood of Prometheus was spilled across the land, a new plant grew where the drops hit the soil. This plant is called “blood of Prometheus” and is thought to have manifested either as the poisonous meadow saffron (Colchicum autumnale) or the miraculous mandrake…
Witty tricksters and soothsayers…
“Mandramelech”
I have written about and continue to illustrate my visions pertaining to the mandrake (Mandragora officinarum). It was some years ago that I started to grow mandrake by myself, use it in ritual and make art about it. All along I could watch online prices for mandrake root sky-rocket. You can buy whole roots or pieces for hundreds of dollars. The root, alive or dead, is worshipped and serves as a potent magical tool. As such it appears to fulfill all of a person’s magical desires, whether employed as a poppet, infused in oil or burnt as incense. I remember the first time I did just that: a single piece of mandrake root placed on hot coal as the crowning offering after a long and exhaustive ritual. It was an important working and with mandrake it is best kept this way. It is reserved for “special occasions”. The blend for Adramelech contains mandrake, due to its powerful links to infernal necromancy and other types of divination, e.g. via the alraun or homunculus, which, if fed correctly, would bring fortune, answer the owner’s questions and foretell the future. Secondly mandrake is linked to cunning, trickery and thievery, e.g. through the connection with aforementioned antagonistic hero of Greek myth, but also because it is one of the most forged magical tools in history. Heroic trickster gods embody the darker aspects of mercury perfectly. Hence corporeal links to their plant allies belong in this blend for Adramelech-Samael. This blend contains mandrake root and leaf.
Lending a hand in magic and cunning…
Male fern (Dryopteris filix-mas) root resembling a skeletal hand. It is made into a fetish known as “devil’s hand”.
The fronds of the male fern (Dryopteris filix-mas) remind of the peacock’s fan. Colonies of male fern plants may be as dazzling to the eye as the peacock’s display of plumage and have been reported to cause vertigo and disorientation in wanderers. It is said that he, who finds himself alone amongst the fern at midnight, will meet the demon Puck, messenger of the fairy king, who will bestow the lucky fool a purse filled with gold. The devil will bestow the “lucky hand” and along with it protection from the fiery element to whoever seeks the male fern’s root on the Eve of St. John. Power of enchantments, riches and overall luck count among the benefits bestowed by this magical herb. The seed is said to make its wearer invisible. Male fern was also thought to repel serpents. Proven are indeed the male fern’s vermicidal properties. Beware though, the whole plant is poisonous. This blend contains fresh male fern root and leaf.
This is the third in a series of ritual incense blends designed for working with the qliphoth (or kliffot). It is dedicated to Adramelech, the ruler of the eighth qlipha on the tree of death. The corresponding qlipha is named Samael, Hebrew סמאל, meaning “poison of god”. The qlipha and its ruler are associated with Sha’arei Maveth (or Shaarimoth), the “gates of death”, one of seven infernal habitations.
Adramelech is described as a “powerful king”. He is one of the eleven heads that govern the qliphotic pantheon. Similar to other demonized deities, Adramelech was once worshiped as a sun god. His worship later merged with that of Moloch.
In Collin de Plancy’s Dictionnaire Infernal, Adramelech is depicted as a mule with peacock feathers, evoking associations with Melek Taus, the “peacock angel” of Yazidi religion. Melek Taus is worshiped for his independence, since he refused to bow to Adam, the first created human. The story resembles that of Shaitan in the Quran. In Islam this refusal to bow to god’s creation is interpreted as a display of sinful pride. Melek Taus however, reasoned that he was made of god’s own light and could not bow to Adam, who was made of dust. Therefore god rewarded Melek Taus and made him his deputy on earth and leader of the other angels. The peacock’s appearance is sublime and likewise Melek Taus proved knowledge of the sublime in his choice. Besides this the Yazidis view the peacock as a symbol of immortality.
Samael also appears as an independent figure: for once he is described as an accuser, seducer and destroyer and a “chief of evil”. At the same time he occurs as an arch-angel, residing in the seventh heaven, as the chief angel of the fifth heaven and features as the “angel of death” in Jewish lore. In the old testament he appears as the serpent in the garden of Eden, and as a demonic entity and spouse of Lilith.
As the serpent in the garden, Samael seduces Eve to eat of the fruit from the tree of knowledge of good and evil. Similar to Prometheus, who steals the fire from the heavens and, against the will of Zeus, brings it to mankind, Samael delivers the gift of gnosis to the first humans, even though god had forbidden them to partake of it. Henceforth they are expelled from the garden, and the serpent along with them. Samael becomes the consort of Lilith and they breed demonic children.
Eve, impregnated with the seed of the serpent, begets Cain, the son of Samael. Cain slays Abel, and is exiled to wander the land of Nod. But he is protected by a mark, which his father Samael placed on him. This mark is a warning that, whoever attempts to harm Cain, will be punished sevenfold.
The above aspects are of relevance, since the different manifestations of Samael here sort of merge with the qliphotic king Adramelech. All aspects surrounding the qlipha in question are taken into account, before advancing and concentrating the essential links within a single incense blend.
Now let us look at the planetary influence: Adramelech’s qlipha is placed under the influence of Mercury. The corresponding element by the same name is a white-silvery metal, liquid at room temperature and poisonous. Early uses of mercury include the making of divinatory mirror bowls, which were found in elite Mayan tombs. Today it is employed in liquid mirror telescopes. Mercury is also called quicksilver. In alchemy it represents the “spirit” and is attributed with various transcendental properties, due to its volatile nature.
The god Mercury (Greek Hermes), is the messenger travelling between the realm of the gods and the world of humans. In his underworld manifestation, Hermes chthonios, he acts as a psycho-pomp, guiding the souls of the dead through the netherworld.
Of interest in connection with Adramelech and his qlipha are transcendental, transforming and empowering properties that reach beyond the realm of the living and this world. What lies beyond the reflective mirror’s surface? Which herbs help with clear sight and telling the lie from the truth? Which herbs aid in seductions and can confuse or blind an opponent? Which plants and resins assist in opening the “gates of death” and contacting and mobilizing the souls of the deceased? The incense for the work with this qlipha and its ruler is hence complex in nature. The sublime king Adramelech becomes a dark soul-guide, residing beyond the gates of death and initiating the wanderer into the perilous poison path, confusing or leading him/her through his kingdom in the sitra ahra.
Keywords: sublimeness, eloquence and seduction, trickery, exposure of lies and telling truth from lie, knowledge of poisons, communication and problem solving skills, oneiromancy, magical metamorphosis/shape-shifting, necromancy
Contains: black seed, caraway, climbing nightshade, common arum, fennel seed, galbanum, guggul resin, lavender, lily of the valley, male fern, mandrake root, narcissus flowers, opoponax resin, poison hemlock, powdered peacock butterflies, red and white sandalwood, shed snake skin, yew needles
Scent: green, spicy, with floral notes
Details: The first eight 100 ml jars are numbered and accompanied by a peacock eye-feather as well as one hand-stained, emerald green Teufelskunst flyer. The remaining incense comes without extras and is not numbered.
Art is uncompromising and life is full of compromises.
I am starting this post with a quote by German writer and artist Günter Grass (16 October 1927 – 13 April 2015)
There have not been any updates to this blog but this ought to change.
My work with Teufelskunst continues – I have been working on commissions, preparing new items as well as updating the site and re-arranging the list of plant profiles, to which have now been added thumbnails as well as short descriptions. This should make navigation easier and also more attractive. Besides this have been added lots of new articles and the list of herbs discussed in detail is growing. Opening the round for this year are four solar herbs, namely:
Angelica – The aromatic sun and fire herb has a long tradition of usage as a medicinal “all-heal”. Originally called Kvann, it was well-known in Northern Europe, e.g. the Sami people and Vikings used it as a food source and for flavouring. Hence it is also known as “Norwegian Angelica”. After the introduction of christianity and the spreading of the black death…
Lesser Celandine – The herb’s Celtic name “Grian” means “sun”. It has also been referred to as “spring messenger”. The flowers of Lesser Celandine signal the arrival of spring and days getting longer. In German it is called “Scharbockskraut” or “Skorbutkraut” = Scurvyherb. The early leaves are rich in Vitamin C and have been taken on board by sailors…
Primrose – In Norse mythology Cowslip was sacred to the goddess Freya, the “lady”, and was also referred to as “Freya’s Key”. Within christianity the flower became dedicated to St. Peter and the Virgin Mary and was referred to as “Our Lady’s Keys” and “Keys of Heaven” or simply “Keyflower”, which all relate to the bright yellow pendant flowers…
Rue – In magic and folklore rue is believed to break hexes and protect. E.g it was part of the infamous Four Thieves Vinegar, which protected four thieves from the Black Death. It is also known as Herb-of-Grace. Ritual sowing methods demand the pronouncing of curses whilst scattering the seeds respective a young plant ought to be stolen in order to be potent in magic. In Milton’s Paradise Lost…
Rue is often used in tinctures, incense and herbal blends for cleansing. Lesser Celandine and Primrose grow in abundance in our yard. And Angelica I have lately been using in different incense blends. I finished the article about this herb late at night and the aromatic scent of Wild Angelica seeds are the last thing I remember, before sinking into a comatose sleep, which granted me a surreal dream with the Dead and the Poisoner. The dream was so strong and intense that I’m guided to use both, the root of Angelica archangelica as well as the aromatic seeds of Angelica sylvestris in dream and divinatory incense blends.
What is planned for the coming months? I have continued work on new wooden seed boxes. I have also worked on new plant sigils, which are to be revealed later this year. I have further been absorbed into researching the conceptual backgrounds and ingredients for new incense blends, which resulted in three new formulae for the Queen of the Night to be presented soon, as well as one incense blend for the Mother of Man-Dragons.
Besides these I have been commissioned for a solar/fiery incense inspired by Norse mythology. I composed two blends, focusing on fire and sun symbolism, and taking into account runic attributions for the herbal ingredients. They are called “Múspell” and “Sowilo” incense respectively. The incense blends are currently not for sale, but I can do more of them by request. The same commission also lead me to working again with the mighty yew tree, more about which I may share later.
I have also been asked about the third series of my magistelli poppets as well as the next row of sigil cards. All I can say is at this point, please be patient! Pertaining to art, the next will be a small print run of the Regina Amandrakina idol, which was published in the latest and now sold out Pillars journal. And speaking of it, Anathema publishing offered me to sell two remaining copies of the journal through my site. So I’m thinking about arranging a special offer. Again more about this later.
For now I just wish you all a blessed Beltane/Walpurgis night!
Anathema publishing approached me with the request to compose an incense that they could add to contributor copies of the new Pillars Periodical. Pillars is an annually published, esoteric magazine featuring occult artists and writers from all over the world. This year’s Pillars comes out under the motto of ‘The Golden Eitr‘, which is a term derived from North mythology and translates roughly as “golden poison” or “golden serpent’s venom” – in reference to the ur-matter of all existence, which is represented as a poisonous liquid substance, from which all living beings evolved.
The incense contains ingredients evocative of the journal’s motto and aims to awaken
‘The Power of Counscious Knowledge, Elevation & Holy Veneficum’
For this the fruits of the (forbidden) tree of knowledge – apple and fig – where harvested and left to dry over the cause of several months. They add the physical link to and represent carnal desires and the sin that follows. The lust for committing deadly sin is furthered by coriander and nutmeg, arousing with fire, yet also potentially protecting against the wrath that may be wrought through this element. Cloves remind the initiate of the pain caused by the nails driven into the flesh of the saviour, who sacrificed himself on the cross timbered from the same tree[1], yet also protecting him and her. Lulled by black henbane – the herb crowning the dead that wander by the river Styx[2], erasing the memories of past lifes – the pain is numbed and the practitioner may find hirself in communion with the shades, their presence sweetened and blessed by the scent of myrrh, whereas the sage of the diviner may act as the secret guide, who challenges and leads the aspirant on his journey and in the quest for spiritual insight and gnosis.
“As cure for the Wrath of another Venom, there did Apple and Venom bring it about.”
– Gratten & Singer [1952: 151-157]
The incense is currently reserved for contributors of the journal, but it is planned to make available a limited batch together with a signed art print illustrating and evoking the different aspects of our incensus.
Besides, Pillars Periodicalcan be ordered NOW. Only 220 copies are available and pre-orders are going fast. So better be quick!
This incense blend is dedicated to the rituals surrounding the summer solstice, when the sun reaches it’s annual zenith. The ophidian seal adorning the vessels that contain the solstice incense, is inspired by the viper’s bugloss (Echium vulgare) herb.
purification and letting go of the old, for protection, renewal, celebrating the night, inspired dreaming and creativity. The blend can also aid in decision making: cast out the serpent as a symbol of “evil” or embrace it as a symbol of wisdom and become a serpent yourself.
Contains: black seed, caraway, climbing nightshade, common arum, fennel seed, galbanum, guggul resin, lavender, lily of the valley, male fern, mandrake root, narcissus flowers, opoponax resin, poison hemlock, powdered peacock butterflies, red and white sandalwood, shed snake skin, yew needles
