This project began earlier in 2016, when parting with a few homegrown live mandrake roots and sending them to new homes. Part of the deal for the new owner was to commission a portrait of the very root they were to receive.
Each root is drawn with ink and quill on stained paper. Attention is paid to the peculiar shape and features of each root. The result are detailed portraits, which are not only unique pieces of fine art but which also give the owner a reference, when the roots are planted back into soil.
Examples of roots that have left my own mandrake family and joined new homes:
Available roots (prices including hand-drawn art, excluding shipping):
a fever dream continued the winter cold clears the mind but not the soul the body continues aching the soul continues longing the fire keeps burning
Looking back at 2015, an important step was the birth of Planta Magica/ Pflanzenkunst. This project shall receive more attention in 2016. As I continue updating and publishing articles about plants at the new site, I may also start offering downloadable e-books and printed booklets. This can happen in the form of a journal series, discussing in depth certain plants under different aspects. The texts would be accompanied by my photography and plant inspired art. As an example can serve my article about the Mandrake, which was published in Anathema’s Pillars Journal.
Pertaining to Teufelskunst, which is now heading into its 5th year since the site went online, there shall occur some changes. As the work with the green is now receiving space within its own frame, Teufelskunst will focus more on products and creations tied to certain esoteric lines of practice, these being foremost the qliphoth. On top of my list for are two spiritual maps to be offered as prints, as well as the continuation of my qliphothic incense line. Expect incense for Adramelech/Samael very soon.
Along with this, the Teufelskunst website shall undergo a restructuring and the garden will move here. My goal is to cut it down to three site sections: the first is the “Supply”, an overview of available products and tools. I yet have to find a way of implementing a shopping cart. Until that happens we continue with good old ordering via e-mail.
A second site section, the “Trumpet”, is dedicated to interviews with other artists and the exploration of different esoteric concepts.
Secondhand Literature, the third site section, will continue, despite animosity from different directions. I feel it is now more important than ever to appreciate but also to grow a critical view at the esoteric book genre and recent book releases. Besides, lets face it: some want to part with their esoteric library, others want to get their hands on sold out titles. Herein lies potential for magical experience to be passed on along with the books and, being handed on, their prestige grows as well.
What more? At the end of 2015 I found myself in a loop of crafting and delivering. This wasn’t necessarily a bad thing. However, I did not find any time at all to work on drawings or possible collaborations. I also did not find time to work on larger commissions, such as statues. The road to take will be to focus on fewer products, higher quality and commissions that challenge me on an artistic level. In 2015 part of my life time got sucked up in bureaucracy, e.g. pertaining to customs and import regulations. I learned some new lessons there, however I doubt whether these were conducive experiences. Some things I wouldn’t do a second time.
In 2016 I hence hope to get to projects talked about in 2015. One would include doing artwork for a band. The other is a photography collaboration with Mr. James Patrick of Death Sex Electronics.
But before all of this enrolls, I look forward to a relaxed and creative first week of January, where I see myself preparing a new print edition.
Stay tuned for more and thanks for the great feedback on my work.
Tonight I share this new artwork with you, which is again a riddle. The game is as usual: guess the plant depicted and leave a comment with your suggestion! If you have been following my recent postings on my new herbalism blog you will easily find the plant in question. A hint: it has to do with autumn. 😉
I’m sorry if you have been browsing the Teufelskunst website and found that most of the items listed here are sold out. This is because I have been working mainly on commissions since some months and had little or no time to add new ready-made items. However, there are still some incense blends as well as amulets available and of course the herbal supply continues.
But there is also a sign of new things to come. Find added NEW a small color print edition of my plant “soul-paintings”:
The original paintings are done with plant juices and blood. The images are ca. 110 x 150 mm, the paper format is A5. Protected inside simple black carton and envelope. Available are 10 copies of each. Nice price for all three: 13 Euro + shipping!
NOTE: I am also preparing an offer for mounted and signed prints of the “Regina Amandrakina” art. The passe-partouts for these measure 400 x 300 mm and the prints themselves will be ca 305 x 230 mm. Estimated pricing: 39 Euro + shipping
I’m also working on more new items to offer here the coming months! More news tba soon…
Finally done! Here are the latest sets of cards with my plant-inspired sigils. Wrapped in autumn-colored peacock marble paper, fitting for the autumnal equinox.
As you know I am dedicating sigils to each herb I work with. In March this year I made a first print set of these abstract sigilic emanations, which I brought with me for the London Magical Arte event. The cards were passed around, single motifs were discussed and became the basis for inspired conversation. At the time I had only printed the cards but not yet made a nice packaging for them. Later I made a slipcase with paper bought from my local bookbinder. Thus far two smaller editions have been done for the Spring Equinox and Summer Solstice, now followed by a 3rd for the Autumn Equinox of 15 sets, the content being:
45 cards with plant sigils printed black on heavy paper vergé
4 colored cards with my ‘soul-paintings’
numbered edition specific title card
list with names of corresponding herbs
introduction to the cards
All cards are hand-numbered on the back. With the help of a list you find the name of the corresponding herb for each card. There is no prescribed method of laying the cards. Possible ways of interpreting and laying them are outlined in the introduction that comes with each set.
Price: 31 Euro for one set + shipping – SOLD
Update: as of September 28 these are all sold. I hope to be doing a larger edition in the future with the help of the funds gathered through the sale of these first editions. If you wish to receive one of the next please message me at [email protected]
This is the first time that I am presenting my plant inspired sigil art in a comprehensive way – in the form of these cards. The sigils on them are wordless expressions of subjective impressions from the plants I work with in my garden and surroundings. Their main purpose is to serve as a visual focus and starting point for contemplation and meditation.
Each card carries the signature of one herb and is hand-numbered on the back. By comparing the number with the accompanying list you find the name of the corresponding herb. The first 22 cards are inspired by potentially venific herbs. The next 16 cards carry seals of traditional healing herbs. They are complimented by 6 further cards, which are inspired by herbs of Meso-American culture and one ‘Joker’ card, represented by the High John the Conqueror root. All herbs are of relevance to different sorcerous lines of practice.
The first 22 cards could also be compared to the Major Arcana of Western tarot, even though that was not my initial intent. And whilst it may suggest itself, comparing these to existing divination systems is misleading as that was not the original impulse for these images.
Part of the motivation behind these abstract depictions is to go beyond the attributions given in magical correspondence tables and written lore and to find new forms of expression. Each ‘sigil’ is the summary of my memories connected to these herbs and condensed into simple line drawings, which are loaded with symbolism. However, what is drawn up in about 20 minutes is the result of a much longer and work-intensive process: I study the plants in different ways, reading, photographing, drawing and writing about them as well as gathering first-hand experiences by sowing and growing and thus observing the plant in all stages, from seed to harvest. This is the task I set up for myself and it is one not always possible to accomplish. But I am getting closer each day, always learning something new about the kingdom plantae.
Making sigils for plants and their spirits, or devas, has been done before. But I don’t think it’s been done in the way that I am doing it and I have already received some very positive feedback: When I showed these cards for the first time to a live audience in London, people would pick out their favorite card and riddle and guess the plant in question. New aspects and meanings were found in these images that I myself had not been aware of. This way the cards became a basis for inspired conversation.
So sit down with your witch friends, take out this card set, sort them or shuffle them and lay them out before you. Let each draw a random card and start brainstorming. Get your herbal book out and read up on the herb you picked and contemplate in which way its characteristics could be of relevance to yourself or your current life situation… There are no limits to how these cards can be consulted and I hope and wish that people find their own ways to utilize them.
Finally a note on the four colored cards that come as an extra with this set: these are paintings based on the seals for Belladonna, Black Nightshade, Thorn-Apple and Mandrake, which have been composed with corresponding plant saps or extracts, blood and red wine. On the cards you are being presented inverse versions of the original paintings. The process behind these is always intense as it is a very direct way of approaching the herbs in question. The resulting paintings feel real and powerful, especially since they are still undergoing transformation as they age and the pigments change in color.
This set may be expanded in the future, as there are many more plants I am exploring. But for the time being, I hope that this first illustre gathering will be a joy to explore for the one who owns it.