Living and dead mandrake roots are drawn with India ink on absorbent paper, which has been infused prior with coffee, soil and the body of the portrayed mandrake root. It is meant as a collector’s item in a series of “Root” drawings, which I have been creating over a number of years.
Drawings from this series have been exhibited for the first time in 2017 in Berlin as part of the “Bad Intentions” group exhibition, alongside internationally renowned artists from Isreal and Palestine. They were also featured in an online exhibition titled “ROOT”, held in 2021 by The Organic Centre Ireland during the Corona pandemic.
The artistic process that I refer to as “phytography” has been introduced to a larger audience in 2022 during the virtual “Viridis Genii Symposium VII” and has been published as part of the accompanying book series.
Choosing mandrake as an artistic theme is tapping into and continuing an anthropomorphic mandrake root cult, which can be found throughout millenia of human civilization. My research on the religious symbolism and folkloristic mandrake traditions was published in the article “Regina Amandrakina” featured in “Pillars” journal released by Anathema Publishing in 2014. A summary of mandrake’s purported magical properties is attached via the info sheet accompanying your drawing.
The roots are portrayed in and beyond their physical form, employing different layers composed of physical matter from the root and the detailed ink drawing created during many hours, in which I establish a deeper connection to the plant soul. During this process I gain ‘magical’ experiences, such as roots that seemed dead suddenly starting to thrive again, which is in line with mandrake’s alleged necromantic and resurrecting powers.
Even more satisfying is to see the roots finding new life in new homes and transforming and functioning as divinatory tools and serving as magical famuli in the hands of other mandrake enthusiasts.
Small acts may still bring small changes and, most importantly, some rest and recreational time. Hence, whether you are able to make a great ritual bonfire or only light a candle, it still does make a difference! My solstice ritual was very basic and reduced. I have cut it down to burning incense and (re-)charging gemstones, which I find at random and in color and vibe connect to the beginning of winter. These currently being a dark translucent black-green tourmaline, a nicely banded gray blueish hawk’s eye, some clear irisdescent quartz crystals, a new rock crystal with dark green inclusions and an ice blue topaz with golden inclusions, which shows some subtle light diffracting effects.
The longest night here was stormy and lit up by lightning. Germany is experiencing heavy storms until christmas. We got a taste of it the next day, when we went outside with the kids for some jolly carousel rides in the rain! It is no wonder our ancestors connected this time of the year with the wild hunt! Though it marks also the turning point for the return of light. But the way is still long and winter has just officially begun.
I used the liminality of the occasion to (re-)charge said stones in the smoke of my Winter Solstice incense blend. And the moment I placed it on the burning coal and the blueish smoke rose up and followed the wind, I realised again that it is indeed one of my favorites! I was also happy to hear back from people, who also use(d) this blend. It feels actually really great knowing that people in very different places burn the same incense and appreciate its effects.
I therefore wish all my customers and followers a truly magical winter time!
Beginning of this year I started a journey with a goddess I had always known from legend and fairy tales but never actually approached ritually. A simple request, whether my Rauhnächte incense could also be used for honoring her, lead me to change my perspective. Eventually I spent the whole year researching and gathering herbs that connect to her essence and bring out her different light and dark aspects to finally compose an incense which evokes the obscure deity in her wholeness.
Lacking any image representing her I also designed a new sigil for her, who…
resides on a white mountain top, at the depth of a well, in the clouds or in hell
is the goddess of spinning and weaving, winter and death, childbirth and vegetation
contains the souls of the unborn and stillborn in her well, grants fertility and receives the souls of the dying
governs legions of elves and gnomes, presides over witchcraft and the sending of nightmares
sends snow and hail, rain and frost over the land and leads the wild hunt
visits earth during the twelve coldest nights, blesses the diligent and punishes the indolent
appears as a beautiful virgin of the dawn, fertile mother of man at day, devil’s sorcerous grandmother at night
is the companion of the green-man during spring and summer and the spouse of Wode, the hunter, during the dark half of the year
She is known as Percht(a), Berchta and Bertha in upper Germany (who may have Celtic roots), Holle or Holda, holde Frau, Frau Venus in Middle Germany, Frau Herke/Harke or Gercke, Frau Gode/Gaude, in lower Germany, Murawa (a night demon in Saxony) and Spillaholle in Silesia. All these names are present throughout different parts of Germany and are expressions of an older omnipotent goddess.
In Bohemia she is also simply known as Frau Holle, a small and ugly old woman, who carries a batch of stinging nettles. During the twelve cold nights of winter (twelve yule nights) she visits earth and looks into the homes, to see, if the spinners have finished their work or are still spinning. The latter she punishes by beating them with the nettles. But those who have finished their spinning are blessed with a single nettle twig left in the home that protects the house from misfortune for the whole coming year.
A Silesian rhyme about the Spillaholle goes:
Spinnt, Kinderlein, spinnt, Die Spillalutsche kommt; Sie guckt zu allen Löchlein rein, Ob das Strähnlein wird bald fertig sein.
Spin, little children, spin, The Spillalutsche comes; She peeks through all the little gaps, If the little strand will be finished soon.
Spillaholle occurs as an especially cruel and mean version of Frau Holle, since she kills the children, that she has caught spinning at night. She also scares people to death. She is accompanied by wood sprites, a tomcat and a goat.
November was once known as Windmond, Wintermonat and Nebelung. It is the darkest month, hostile and chaotic. It brings storms, disorder and weird dreams. It is the month of the ‘wild hunt’, the Cailleach, Holle, Persephone, Hecate, Brimo and other gods and goddesses of winter and death.
It is raining and snowing and the earth is being saturated with water. The cold grayness is lit up by bright saffron blossoms, colorful tree branches and berries. Wild cherry trees color their crowns red; what looks like a fiery shield or warning sign is actually an invisibility shield against herbivores. By dropping their leaves the trees now ultimately strike their solar sails. Simultaneously the fallen leaves re-assemble to form a protective and nurturing blanket on the ground, for myriads of organisms to spend the winter underneath. Here the magic happens that alchemists seek to master. All of nature’s actions are inherently logical and perfectly adjusted.
November also brings weird dreams, messages of wyrd – the weaveress, who spins, weaves and cuts the thread that forms the fabric of a person’s fate or destiny. Noteworthy, is wyrd not only the base word for modern English weird. Today the word weird denounces something supernatural, uncanny or unexpected. But wyrd is also connected to the German werden = to become, Wort = word as well as Wurz = a herb. Originally these terms, to become and to grow (as a plant) and the concept of wyrd (fate) may have been closely linked. Indeed, the wort cunner uses herbs to change a person’s destiny. The shaman or healer uses herbs to drive out sickness and avert death, which increase in the absence of day light.
The weaveress is present in many different pantheons. Sometimes she is part of a triad of goddesses of fate such as the Norse Norns, the Greek Morai and Roman Parcea. Other times she is an ancient mother goddess presiding over the souls of the unborn and the work of women, especially spinning and weaving. Germanic tribes knew her as Holle/Holda, today also identified with Perchta. Slavic peoples knew her as Mokosh or Zorya.
Frau Holle is envisioned to guard a deep well or pool from which she releases the souls of children to be born and into which she receives again the souls of the stillborn. She guards the cycle of life and death, birth and rebirth. Likewise she judges the work of man, blesses those, who finish their tasks in time and punishes those who are late or lazy. In the short month of November we are reminded that the year is in its final quarter and that we too must come to a close with our projects and rituals, but also, that we must take care of ourselves.
November rituals: healing and cleansing rituals, start a dream journal, honor god(desse)s of death and winter, process seeds and herbs gathered earlier, plant bulbs and fruit trees, burn incense for protection and oneiromancy
Around this time of the year, the third and final harvest is celebrated. In October grapes and root vegetables are due. It is also global pumpkin season. Herbs gathered after this point were considered bitter and useless. Trees are finished with sugar production and shed their leaves during the wet season, providing less windage to autumn storms. Simultanously, rainwater now pours down unhindered along branches and stems, straight towards the roots and deeper. Trees turn barren, fields turn brown. November brings storms and cold, muddy weather. The nights are cold, and the first hoarfrosts are about to put nature to sleep. Yet, the grayness is lit up by colorful branches and fruits such as the purple beauty berry, orange firethorn, dark blue sloes, black privet or red holly berries, which provide food to overwintering birds.
In spiritual terms, the moon wins over the sun and the earth mother (vegetation goddess) returns to the underworld, where she resides besides Herne, the black hunter, who has captured the sun. It is Samhain, or modern Halloween.
Samhain probably comes from proto-Celtic samoni – meaning “reunion” or “assembly”. This could refer to an assembly of people, an assembly or renunion of the living and the dead. It could also simply refer to an assembly of harvest or the coming together of the months of the year, since Samhain marked the beginning of the Celtic New Year.
Now begins the darkest time of the year.
In need for light, warmth and protection against the dark, lanterns are set up around homes and properties. Whatever has been gathered up to this point and has not been processed yet, is being cooked, bottled up, stored or crafted into useful things. The ancestors are revered and the gods of the underworld are appeased.
On the evening of 31 October, also known as All Hallows Eve and Halloween, the gates to the underworld open and the spirits of the dead are believed to visit the living. The event is luciously celebrated during the Mexican Day of the Dead. The oppulent celebration includes bountiful offerings, music and dance, to welcome the beloved dead and keep the dark dead out.
Christians celebrate and honor their saints and the souls of their dead during All Saints, All Souls and Totensonntag. Candles and lanterns are placed on graves and light up the dark places of the dead, which are in addition covered with evergreen twigs and colorful flowers.
Children dress up for Halloween and play trick or treat. There is also the tradition of St. Martin’s day, when children gather to walk up and down the streets with self-made lanterns, singing songs and reenacting the legend of St. Martin, who cut his cloak and gave half of it to a beggar, who was shivering from the cold.
Samhain is a cross-quarter day on the pagan wheel of the year (and was originally a Celtic quarter day). It is oriented by the moon’s phase and falls on the November or October full moon, respective the full moon that occurs closest to the midpoint between the autumn equinox and the winter solstice, and when the sun moves into Scorpio. The October full moon is also known as Hunter Moon, Harvest Moon and Falling Leaves Moon. The November full moon as Beaver Moon and Freezing Moon or Frost Moon.
Main magical practices during this time are: protection magic, banishing magic, necromancy, black magic or nigromancy, rituals with masks and effigies, pact making and pact renewal (due the opening of the gates to the spirit world).
Here comes a another fresh batch of Samhain incense! This blend is was the first I created for the harvest festivals and closes the circle, being dedicated to the third and final harvest feast. At the same time it marks the beginning of the Gaelic New Year. On Samhain the living and the dead assemble and sacrifices are made. The blend is hence both protective and strengthening as well as suited for opening the gates to the spirit world and chthonic realms. It smells woody, herbaceaous and resinous.
Contains: amber, juniper, mugwort, pine + spruce resin from local forests, oak bark, rosemary, sage, thyme, vervain
Please remember my ordering deadlines for Samhain: 18 Oct. ’23 for international shipments 25 Oct. ’23 for orders within Germany
This incense blend is dedicated to seasonal feast day of Mabon, September feast days and the Autumn equinox in particular. It is part of the Teufelskunst “wheel of the year” incense series and is dedicated to the second of the harvest festivals (the first being Lughnasadh and the third being Samhain). It is all about the rituals of autumn, for example the celebration of the Autumn Equinox and blot rituals / harvest blessing and sacrificial rituals. It smells earthy, warm and sweet, but also resinous. It unifies dark and light aspects. It contains aromatic and warming ingredients, such as cinnamon, coriander, nutmeg, precious saffron, storax bark and vetiver root. The resins in this fiery blend are powerful protective agents, such as dragon’s blood, dark copal and pine resin. Sweet myrrh, oakmoss and sticky labdanum in turn revere the scents of autumn and bind the herbs. Fragrant herbs such as mugwort and mullein complete this special composition. Lastly, freshly gathered nettle is included as a reference to the goddesses of spinning and weaving, but also enhances the protective qualities of this magical Mabon blend.
The sigil adorning the blend has been desgined especially for Mabon (read more in my next post).
I made new designs for them, especially for the qliphotic blends. Step by step I am also re-doing the feast day sigils. It’s a pile of work, but ultimately it will be easier to simply print and fill these than cleansing, labeling and packing up glass jars, which also always meant more packing waste. Also, the production of the silver foil labels wasn’t particularly environmental friendly either. So…
These are meant to be smelled and burnt.
I may still do special editions in glass jars every once in a blue moon. I have in fact been gifted a big pile of small miron violet glass jars…
But for now, it’s paper bags! How do you like them?
The autumn equinox marks the second annual harvest celebration. At the same time it is the last of the eight “wheel of the year” festivals. In modern witchcraft the feast day is called Mabon. As one of the four quarter days, it marks a time, when servants were hired, school terms started, and rents were due. The fruits of the season include grains, aromatic herbs, berries, grapes, apples, nuts, acorns, chestnuts and so on. Nature’s cornocupeia is filled to the rim. It is also rut and hunting time.
Though the equinox marks the point when the night wins over the day time, September days are still warm, due to a weather phenomenon known as “Indian Summer” and German “Altweibersommer”. Indeed, we are experiencing the third week in a row with day temperatures above 30°C. Only the lengthening shadows and the dew on the meadow give away that summer is coming to an end. And it is spider season! Sheet weavers aka money spiders, ride upon their silken threads and seem to be flying through the air. As their threads reflect the autumn sun, it was thought they resemble the hair of old women, which might have been the origin of the name “Altweibersommer”. But also, the art of weaving was once known as “weiben”. This time of the year is indeed also sacred to the goddesses of spinning and weaving. The end of the harvest season marks the beginning of the time spent indoors, with processing the harvest, crafting, spinning and weaving.
Now blooms the autumn crocus (Colchicum autumnale), or meadow saffron, as it is also called. In German the plant is known as Herbstzeitlose, either because the plant has ‘lost’ its time (pertaining to its unsual time of flowering), or because it foretells (from Old German lose, meaning to divine) autumn and is thus the messenger of autumn. Another name for it is Michelsblume, since it flowers around Michaelmas.
Michaelmas is celebrated in most Western countries on the 29th of September. St. Michael is the patron saint of many holy places formerly sacred to the Germanic Donar/Thor. The archangel is believed to have defeated the dragon (Satan/Belial) during the war in heaven. The vision of Michael riding through the sky in the company of other angels is perhaps a reinterpretation of Wotan’s Wild Hunt and evokes similar associations of heavenly flight and the descent of demons. A British Michaelmas tradition is the preparation of the stubble-goose. Eating the goose was thought to guarantee money in the purse during the coming year. In some parts of Germany the Michaelsbrot is being baked. On this day is also sown the Michaelskorn (grain), from which the next bread will be made. Contracts would be made on this day and accounts closed.
Germanic tribes celebrated September as the blot month, associated with the blood of those animals, which had to be slain before the winter, either because they were too weak or too many in number in order to be fed through the cold season. They were sacrificed to the gods and their blood was used to bless the people attending the blot rituals. The German word blodsian means to ‘make holy with blood’ and is possibly the root of the English words blessing and to bless. According to Wolf Dieter Storl, the blot rituals were considered necessary for sustaining the natural order and ensured the return of the sun.
In September, the color red also becomes present in nature. The leaves of the trees take on an autumn coloring, as the sun light wanes and chlorophyll decreases. Some plants invest extra energy into the production of red pigments, which cause for example the fiery red fall coloring in some maple tree species and on cherry trees. The red pigment is not visible to herbivores, and so, while occuring as a vibrant martial signal to the human eye, is in fact a camouflage for the tree, making its foliage invisible to aphids. In addition, herbivores presented on a red leave are better visible to birds, which now have to eat and gain reserves, either for migrating or overwintering.
Besides, if you ever wonder, as to why there is no or little bird singing during this time; the birds are now resting, as they no longer have to defend their territory.
The connection between the beginning of fall and the Celtic myth about Mabon is relatively new. It was introduced during the 1970ies. The name Mabon may be a reference to Maponos, the Celtic god of the hunt.
Mabon is a figure in Celtic myth and features in the Arthurian legends. Apparently, a son of divine origin, he was separated from his mother only three days after conception. Mabon could only be found again with the aid of Arthur and another hero who was able to communicate with animals, namely a blackbird, a stag, an owl, an eagle, and finally a salmon, which ultimately carries the men to Mabon, who is incarcerated in a fortress. Finally, Arthur and his friends manage to free Mabon, who proves himself by winning the battle against a giant wild boar with the aid of some supernatural dogs. Mabon’s incarceration is sometimes interpreted as a form of initiation into the underworld and an apprenticeship in witchcraft.
Suggestion for a fiery Mabon incense:
coriander
dark copal
dragon’s blood
nutmeg
oakmoss
pine resin
red sandalwood
rowan berries
saffron
storax bark
sweet myrrh
vetiver root
Turning to the trees once more, this is also a good time to contemplate the world tree Yggdrasil: nowadays thought to be an ash tree, more likely a mountain ash or rowan, to Germanic tribes an oak or linden tree. Its branches hold the firmament, its fruits form the stars, its stem shapes the milky way, its roots hold the earth and reach down to the world of the dead. The squirrel Ratatosk runs up and down its stem, delivering messages between the realms. Four deer gnaw on its branches (probably they were Germanic star signs) and a giant eagle sits in its crown.
The star sign of September is Virgo. But the stars of Virgo also form the figire of a deer. The star signs of Auriga and Perseus together form the sign of the big deer named Durathor.
The September full moon is also called harvest moon and corn moon.
