Thanks to everyone that ordered the incense and especially to those, that made use of the opportunity to get their hands on the pyrographed “Sabbath Seal”. The offer was sold out within 24 hours, which makes me proud and encourages me to proceed on this wicked journey. Special thanks to Antinomian Antipodean and Hanged Man’s Seed Apothecary for extra supplies.
I am now working on the next offer, which will be 6 regular wooden seed boxes, 4 black flower themed wooden seed boxes and 5 mandrake drawings + live plants. Reservations may be placed via email.
Thank you for your patience and continued support!
On a personal note, my move went well. The new work place is nearly set up and I have started discovering Düsseldorf and making new friendships. It is still a big change and I have to get used to living without a garden here and adopting to a new rhythm. I still have a few plants in pots and sown simple kitchen herbs last weekend. Meanwhile the green in the garden in Dresden are exploding. Likewise does the nature around me.
So continue the hunt and the attempts at trying to capture fleeting moments of enticement. The grey heron watches and leaves, only to return in unexpected moments. The shower of cherry blossoms in the light of the rising sun is long gone again. The impressions live on in the mind and heart and art of the magician, who keeps collecting and processing, surrounded by the current bloom of fragrant lilac and carnation…
Teufelskunst is slowly returning from the darkness of its winter cave, where most time was dedicated to the creation of new artwork and crafting of baneful incense, blackthorn crowns (sold out) and cursing sigil discs (available again in autumn). Thanks to everyone that made use of the opportunity to purchase and leave feedback for these items!
The first months of the year were also spent processing herbal harvest as well as sorting seeds and filling the next seed boxes. There will be 6 larges boxes again, as well as 4 black flower themed boxes. Accepting e-mail reservations now.
Further work in the making: new sigil talismans and incense blends for Walpurgisnacht and Beltane celebration. Expect updates on these in April. A few new mandrake plants and art are also planned to be available again in spring.
Lastly, a special item is in the making: a commissioned black alder goddess pentacle – the design for which has been keeping me busy for the past days. I look forward to sharing more about this work with you soon.
The “Bad Intentions” exhibition featuring my “Harvest Installation” has been extended until 13th of January 2018! If you are in Berlin or plan to visit, you shouldn’t miss this unique chance to see my work in real life. Single works may be purchased through the gallery.
I will be spending time with loved ones and continue on artwork, finishing commissions and preparing the incense blend for the upcoming Raunächte. So long, please have a look in the shop and consider purchasing one of three new paper sigil talismans, which were completed for the winter solstice:
The “Mullein” illustration is a newer work in the “Sigilla Magica” series. It was available for the first time during the Samhain Celebration 2017, in Gotha. The illustration shows an anthropomorphic vision of the lovely mullein (Verbascum spp.), which is also known as hag’s taper, aaron’s rod and Königskerze. In the sigil I summarize folklore and personal experiences related to this powerful magical plant. It contains links to the Venusian, Saturnian and martial aspects of the plant, as well as to the various names, by which it is known.
You can now purchase an original ensouled paper talisman with the motif. It is drawn with black India ink on coffee stained paper, which has been infused with extracts of mullein, wormwood and honey. Each paper sigil is signed and dated on the back . The entire talisman measures ca. 9,9 x 21 cm.
You receive one of the original works shown here. There are 3 available as part of my Winter Solstice special and each comes with an incense sample for the Raunächte.
Please note, that each paper talisman is unique and whilst the motif is the same, can have slight variations and differences in texture. The yellow color comes from the mullein’s own flowers.
Winter Solstice Edition 2017 – comes including incense sample – 3 available. For ordering please go here.
Wishing to all my customers and followers a blessed Winter Solstice and Yule time! The Teufelskunst shop is taking a break from tonight until the 2nd of January. This means, the shop stays online and you can still place orders, but order processing and shipping will be limited. Expect news and updates after the Christmas holidays. Thank you all for the immense support! 🕯🌟☄
The candles have been lit, the incense has been burnt; now my work vibrates inside of Berlin art gallery CIRCLE1 until December 23rd. Thanks to Avi Pitchon, who invited me to take part in this group exhibition, alongside renown international artists from Israel and Palestine!
What started as a simple idea years ago, has accumulated into a complex installation. Succeeding years of studying the plants first-hand and a rediscovered love for ink, suddenly things fell into place. It was preceded by searching and researching, sowing and growing, loss and gain via the very basic and earth-bound occupation as a gardener and harvester.
The installation is hence titled “Harvest“. It consists of an earth altar with dried plants and harvest related offerings: self baked bread, honey from the neighborhood and self-made beeswax candles. The souls and spirits that were contained in the once alive, now dead corpora of the plants, find a new house in the form of fetishistic ink drawings: the “Sigilla Magica” series.
With these new forms I found an own language, in which I seek to both entertain and communicate memes to the viewer. Twelve ink drawings reference eleven magical plants. A twelfth refers to the bee queen, “Regina Bombina“, governing the vital interaction between plants and pollinators. In addition, two anthropomorphic drawings depict the aconite and mandragora in half-human form, namely the armed and poison-dart struck “Wolf Shaman” and beheaded and re-headed “Regina Amandrakina” accompanied by her freakish offspring. Finally, two complimenting botanical studies of the roots of the aconite and mandragora act as a bridge between abstraction and realism and explore the individual and fascinating shape of each in detail.
I am happy to share the news with you that I will be part of the exhibition “Bad Intentions” at Circle 1 gallery in Berlin, opening November 17. You are all invited to attend and spread the news!
This is a unique opportunity for me to bring my plant inspired art to a new audience. I will be showing ink drawings of my “Sigilla Magica” and illustrations supported, by an installation with different magical herbs from my garden and surroundings.
Important (!) Due to the exhibition preparations now going into its last and hot phase, I will not be able to process new shop orders until then. All orders placed now or later, will be shipped in the week following the 20th of November.
Below a quote from the introduction text, by curator Avi Pitchon:
“Bad Intentions” seeks to modestly contribute a tiny voice to hopefully echo into a massive abyss. The title is a reference to the good intentions of ‘artivism’, and where they lead to: the disappearance of both art and activism. The exhibition does so by staging an absurd tear between art and artist, in the hope that a gaze into the tear might enable a distinction between art and politics. The artists selected for this group exhibition are Jewish-Israeli, Palestinian-Israeli, Jewish, Palestinian and German. However, no artwork in this exhibition forms an explicit mirroring of any social or political tensions formed within the above ethnic/national triangle. The artwork does not ‘speak for itself’; it simply speaks by itself. “Bad Intentions” intentionally ignores the background and circumstance of the artist, in order to destabilise anything that is expected of such a grouping of artists, because all of those expectations are not only tired cliches, they also silence the speech of art. “Bad Intentions” is thus an invitation for the viewer to empower themselves by placing the weight and responsibility of attention on them; by not providing crutches of meaning.