TEUFELSKUNST Occult Art Blog
TEUFELSKUNST
Occult Art Blog

Announcing: Samhain Celebration in Gotha

Teufelskunst contributes to the Samhain Celebration on November 4th, in Gotha (Germany). Teufelskunst provides the central part of the visual concept in the form of the “Samhain harvest” seal, which is featured on various merchandise articles. Teufelskunst also provides the incense of the night. A sample of the blend comes with each of the 100 merchandise kits. Included in this special offering is also a journal, the “Samhain Herald” featuring my essay about Samhain and the Wild Hunt, paying special attention to the European and Germanic traditions associated with the darkest time of the year.

samhain-incense
Samhain Incense 2016

Support: Soth Arts

Soth Arts created unique qliphotic rosaries for the night, eight of which are adorned with our blacksmith’s  Teufelskunst bronze amulet. The rosaries are made of ebony and black wooden beads. Besides this will also be available seven rosaries with sawn-out twin-serpents as well as one rosary with a black Calvary cross pendant:

Soth Arts rosaries  Soth Arts rosaries

Date: November 4th
Location: The Londoner – English Pub, Gotha
Entrance: 6 pm
Begin: 8 pm

Tickets:
VVK: 15€, AK: 18€

November 2, 2016

Posted In: News & Site Updates

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Harvest Blessing October 2016

Harvest Blessing Oct. 2016

For the past weeks (and with interruption due to sickness), I have been working meticulously on the set-up for ritually blessing this year’s harvest. Of course it is not possible to pile up all the herbs and seeds gathered over the year. So instead I created a new, dynamic working sigil, which can be adopted and rearranged for different needs. In my own ritual the sigil is constructed from different plant parts and seeds, each corresponding with one of the four elements and esoteric symbolism. I.e. the sickles are made out of fennel stalks and vervain herb. For the stang in the center was used a thorn-apple stalk with pods and thornapple leaf and seed for the triangle symbolizing the spirit housed within the green. Of course you could use other herbs, real sickles, or simply trace the lines in the soil.

My offerings given to the spirits included self-gathered pine tree resin, Samhain protection incense, four beeswax candles, water and rum. The operation can be performed in silent contemplation or you call upon specific crossroad spirits and deities of your tradition. When done, all parts of the sigil can be gathered and employed to different sorcerous ends. Important is, if the ritual is dedicated to a certain spirit or deity you should stick with it.

Now I mentioned this was a dynamic sigil. As you can see in the above picture, the ritual aimed at blessing objects (in this case my seed boxes), which are placed inside the blades of the four sickles. A different ritual setting would consist of placing links to the four elements inside the sickles, e.g. offerings corresponding to each or your main altar tools. The point is, that you can construct and arrange the set-up in different ways suiting your needs. Now here are a few suggestions how to go about it:

Recently someone pointed out that the placement of the four elements inside my sigil was “wrong”. He was reasoning from the viewpoint of Western Mystery Tradition / Tarot. Well, as you can see there are different versions that all can be worked with. It is entirely up to you if you want to employ a tradition-specific succession and which you chose. Important is, if you do, that you contemplate and know why you chose one option over another.

Btw. I am looking forward to use the earth-bound altar again. It was altogether a very powerful experience employing sorcerous herbs and soil in this way.

PS: Please remember, I will process any new orders by the 2nd week of November. Until then I am preparing for my stall and exhibition at the Samhain Celebration on November 4th in Gotha (Germany).

October 21, 2016

Posted In: Herbs & Seeds, Art, Ritual

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Incense Blends of the Dead

Incense blends for working with the dead

Veneration Incense of the Dead

This is a basic incense blend that you can use in daily or weekly offerings on the altar dedicated to the ancestral, beloved and the mighty dead. It consists of equal amounts of myrrh, wormwood and white sandalwood. This blend can easily be adjusted for different purposes, e.g. for “talking” to or “appeasing” the souls of the deceased. Fitting herbs for modifying this blend can be ordered along with it. (see below)

Contains: fresh myrrh resin, white sandalwood, self-harvested wormwood

Oneiromantic incense of the Dead

This blend is designed specifically for contacting the dead in dream and receiving advice about the future. It contains the same ingredients as the veneration incense of the dead and is enhanced with soporific and oneirogenic ingredients, e.g. sandarac resin, mugwort, jasmine and brugmansia flowers, privet flowers and white rose buds. The blend should be burned an hour prior to sleep, in a calm surrounding. It is meant to help the practitioner find a calm state of mind and enter a deep and restful sleep, which is the premise for experiencing sustained and long dream sequences. The same blend can be used for ritually recalling these dreams. It is helpful to use a photograph and other personal links to the dead, whose presence is sought in dream. These links can be placed for example beside the bed or under the pillow.

Safety advice: Please do not leave burning coals unobserved! Don’t burn incense if you feel too tired to pay attention. Instead simply smell on the jar before sleep and burn the incense, when you are well rested and want to revisit the dream experience.

Contains: brugmansia and jasmine flores, fresh myrrh resin, privet flowers*, sandarac resin, self-harvested mugwort and wormwood, silver frankincense, white sandalwood, white rose buds

Order these blends via e-mail 


Herbs with different properties pertaining to the dead

aconite (death curses, resurrection), aloeswood (protection, sleep, overcoming sadness), benzoin resin (enchantments, sleep), blackthorn (coercing), brugmansia flowers (astral work, divination, coercing), copal resin (appeasing), cornel cherry wood (resurrection), cypress needles and bark (protection), dittany of crete (manifestation), elder flowers (gate opening), galbanum resin (dreams, protection), foxglove (death curses, resurrection), guggul resin (dreams, protection), laurel leaves (sleep, communication), lavender (appeasing, sleep), mugwort (astral work), henbane (manifestation, communication, cursing), mandrake (dark dead), mullein (manifestation, protection), myrrh resin (mourning, protection), opoponax resin (protection, astral work), poplar (gate opening), rose petals (dreams, protection), sandarac resin (sleep), tobacco (feeding, communion, banishing), valerian root (sleep, protection), vervain herb (appeasing, dreams), white sandalwood (appeasing), willow (gate opening), yew needles (gate opening, death curses, resurrection)

This list is far from complete, but gives an idea to which end certain resins and herbal agents can be employed in connection with the dead. The blends presented above are meant as starters for exploring the vast and increasingly complex field of “necromancy”.

July 26, 2016

Posted In: Incense, Feast Days, Ritual

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Adramelech Qliphothic Incense

Adramelech Incense

This is the third in a series of ritual incense blends designed for working with the qliphoth (or kliffot). It is dedicated to Adramelech, the ruler of the eighth qlipha on the tree of death. The corresponding qlipha is named Samael, Hebrew סמאל, meaning “poison of god”. The qlipha and its ruler are associated with Sha’arei Maveth (or Shaarimoth), the “gates of death”, one of seven infernal habitations.Adramelech

Adramelech is described as a “powerful king”. He is one of the eleven heads that govern the qliphotic pantheon. Similar to other demonized deities, Adramelech was once worshiped as a sun god. His worship later merged with that of Moloch.

In Collin de Plancy’s Dictionnaire Infernal, Adramelech is depicted as a mule with peacock feathers, evoking associations with Melek Taus, the “peacock angel” of Yazidi religion. Melek Taus is worshiped for his independence, since he refused to bow to Adam, the first created human. The story resembles that of Shaitan in the Quran. In Islam this refusal to bow to god’s creation is interpreted as a display of sinful pride. Melek Taus however, reasoned that he was made of god’s own light and could not bow to Adam, who was made of dust. Therefore god rewarded Melek Taus and made him his deputy on earth and leader of the other angels. The peacock’s appearance is sublime and likewise Melek Taus proved knowledge of the sublime in his choice. Besides this the Yazidis view the peacock as a symbol of immortality.

Samael also appears as an independent figure: for once he is described as an accuser, seducer and destroyer and a “chief of evil”. At the same time he occurs as an arch-angel, residing in the seventh heaven, as the chief angel of the fifth heaven and features as the “angel of death” in Jewish lore. In the old testament he appears as the serpent in the garden of Eden, and as a demonic entity and spouse of Lilith.

As the serpent in the garden, Samael seduces Eve to eat of the fruit from the tree of knowledge of good and evil. Similar to Prometheus, who steals the fire from the heavens and, against the will of Zeus, brings it to mankind, Samael delivers the gift of gnosis to the first humans, even though god had forbidden them to partake of it. Henceforth they are expelled from the garden, and the serpent along with them. Samael becomes the consort of Lilith and they breed demonic children.

Eve, impregnated with the seed of the serpent, begets Cain, the son of Samael. Cain slays Abel, and is exiled to wander the land of Nod. But he is protected by a mark, which his father Samael placed on him. This mark is a warning that, whoever attempts to harm Cain, will be punished sevenfold.

The above aspects are of relevance, since the different manifestations of Samael here sort of merge with the qliphotic king Adramelech. All aspects surrounding the qlipha in question are taken into account, before advancing and concentrating the essential links within a single incense blend.

adraincense

Now let us look at the planetary influence: Adramelech’s qlipha is placed under the influence of Mercury. The corresponding element by the same name is a white-silvery metal, liquid at room temperature and poisonous. Early uses of mercury include the making of divinatory mirror bowls, which were found in elite Mayan tombs. Today it is employed in liquid mirror telescopes. Mercury is also called quicksilver. In alchemy it represents the “spirit” and is attributed with various transcendental properties, due to its volatile nature.

The god Mercury (Greek Hermes), is the messenger travelling between the realm of the gods and the world of humans. In his underworld manifestation, Hermes chthonios, he acts as a psycho-pomp, guiding the souls of the dead through the netherworld.

Of interest in connection with Adramelech and his qlipha are transcendental, transforming and empowering properties that reach beyond the realm of the living and this world. What lies beyond the reflective mirror’s surface? Which herbs help with clear sight and telling the lie from the truth? Which herbs aid in seductions and can confuse or blind an opponent? Which plants and resins assist in opening the “gates of death” and contacting and mobilizing the souls of the deceased? The incense for the work with this qlipha and its ruler is hence complex in nature. The sublime king Adramelech becomes a dark soul-guide, residing beyond the gates of death and initiating the wanderer into the perilous poison path, confusing or leading him/her through his kingdom in the sitra ahra.

Keywords: sublimeness, eloquence and seduction, trickery, exposure of lies and telling truth from lie, knowledge of poisons, communication and problem solving skills, oneiromancy, magical metamorphosis/shape-shifting, necromancy

Green FlyersContains: black seed, caraway, climbing nightshade, common arum, fennel seed, galbanum, guggul resin, lavender, lily of the valley, male fern, mandrake root, narcissus flowers, opoponax resin, poison hemlock, powdered peacock butterflies, red and white sandalwood, shed snake skin, yew needles

Scent: green, spicy, with floral notes

Details: The first eight 100 ml jars are numbered and accompanied by a peacock eye-feather as well as one hand-stained, emerald green Teufelskunst flyer. The remaining incense comes without extras and is not numbered.

SOLD OUT

April 14, 2016

Posted In: Incense

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Lilith Incense

Completed on this new moon, 11/11 – 1,2 l of Lilith incense, blessed in a black moon triangle of manifestation underneath the talon feet of the skull-masked corpse queen.

Lilith Incense

This is the second incense blend dedicated to the qliphoth. It contains flowers, herbs and resins connected to the death moon and honors Lilith as the black queen of the night side. Lilith is a demonic deity, often associated with seductions and sexual perversions. Of the seductress it is said

“Her house sinks down to Death, And her course leads to the shades. All who go to her cannot return And find again the paths of life.” (Proverbs 2:18-19)

In the qliphotic working system Lilith rules the qliphah Gamaliel, which is referred to as “the obscene ones” within the qliphotic context, even though it rather translates as the “reward of god”. Gamaliel is seen opposite the sephirah yesod on the tree of life, which is associated with the planetary influence of the moon – the unconscious in which the other spheres are present yet dormant, like a lake filled with emotions and fluctuating reflections, situated in between the higher planes and the physical plane of manifestation. Therefore Gamaliel is connected to an inversion of these lunar flows, the dark of the moon, lunar eclipses and may be envisioned as a lake filled with black water or “soul matter”.

The absence of the sun’s reflected light facilitates recreation and healing, calm, meditation, genuine inspiration and independent creativity. It is also a period, during which the influence of the mundane and ordered world is weakened. A time of silence and looking inward or it may mark the beginning of a journey on a less traveled road… Ventures undertaken during the dark of the new moon are out of sight and safe from the light of the world. Hence it is also a time beneficial for criminals and unlawful acts.

In the darkness of a new moon strange and fantastic flowers may blossom, and in the redness of the eclipsed harvest moon the flow of life’s currents might be reverted, facilitating the occurrence of manifestations or incarnations from the other side.

Of Lilith is also said she is a mother of demons and rules over 480 legions of shadows. Among these ‘shadows’ are the souls of the children that have died as infants, in childbirth or due to abortion. In this context Lilith is envisioned as a demon who “snatches away the souls” of these children and she is portrayed with bird talons or referred to as “screech owl”. Hence protecting amulets against Lilith were hung above cradles for protecting the infant from the grip of Her talons.

Among the herbs sacred to this demonic deity are Mugwort and Wormwood (both potentially abortive). Both herbs are also often employed in astral workings, as part of incense for divination (e.g. in dream, necromancy etc.) and philters. Besides these, the blend contains flowers of Jasmine, Lilac, Lily, Lotus and Rose. Jasmine is a classic for any “lunar” blend. Sweet Lilac covers the stench of death. Lily is not only evocative in name but also perhaps the most iconic funeral flower and there’s just tons of religious lore connected to this flower. (To me the sweet morbid smell of white regal lilies is simply most evocative of Lilith.) Lotus is the flower representing female divinity and bears links to the realm of death, rebirth and resurrection. Lastly Rose, both white and red are the traditional flowers used in Her veneration, as they both represent mystery and sacredness.

Further ingredients are myrrh, dammar, a small amount of camphor and colored frankincense in red, black and silver – for red is the color of the blood, the red moon and gamaliel, silver evokes the astral and black is for the goddess veiled in darkness. Calamus root and musk seed address the seductress and dominatrix. Orris root as an aromatic binding agent most often employed in dream work may not be missing. White sandalwood adds a warm balmy scent and is a sacred wood traditionally employed in veneration and pleasing the souls of the dead.

And then there is willow bark, added not only because its typically associated with ‘female problems’ and facilitating the blood flow. This bark is harvested from an old hollow willow tree, for it was in the trunk of such tree that the creature named ki-sikil-lil-la-ke (translated as Lilith) had made its nest and the tree, named huluppu, is generally identified as a willow tree. In another account Lilith is also described forming the branches and further demons forming other parts of such tree.

Use this incense for general veneration of the dark goddess Lilith, in combination with the black mirror and scrying bowls and for other types of astral workings that aim at manifestations.

Scent: camphorous, floral sweet, slightly morbid

100 ml, limited to 11 jars

Note: There are 11 filled jars charged with the vibrations of this most auspicious date coinciding with the dark of the moon. They are available for purchase here and will also be listed in my Etsy online store.

Edit: all jars sold over night. More of this incense will be available after the next new moon, Friday, 11 December.

For ordering and all other inquiries write e-mail to info@teufelskunst.com

November 13, 2015

Posted In: Ritual

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QQ Incense

IMG_5348 copy-s

A commission I have been working on for a few weeks and which happened to be completed on the seventh of this month, was the creation of an incense blend for Qayin and his twin-sister/bride Qalmana. The ingredients for these blends are mainly inspired from the workings outlined in Liber Falxifer I and II.

Both blends were completed at the stroke of midnight from August 6 to August 7. At this time Venus was retrograde and at the edge of “plunging” into the underworld. Dark astrology says, “Particularly matters connected with ‘poison’ are accentuated badly”.

I took inspiration from this dark venus aspect and enhanced my Qayin blend with some venific herbs, such as aconite, henbane and mandrake root, which are added in moderate amounts. These address the poisoner aspect and at the same time all have links to necromancy and the underworld. Further ingredients, that count among the more traditional are myrrh, patchouli, blackthorn, sandalwood, wormwood and yew. Cloves are added for fragrance as well as palo santo wood. Tobacco, long pepper and red chili pepper spice up and enhance the blend’s effectiveness. Some rare additions are ebony dust and ironwood shavings, the latter which have been granted to me by a long-time customer. Beside myrrh resin I added also black copal (one of my all time favorites) and opoponax as well as asafoetida. These all possess to links to the dead and necromancy as well as underline the darker aspects of the Qayin. Red carnation flower petals, black and yellow mustard seeds and some more ingredients refine this incense blend, which is suited for special occasions and feast days but also as part of regular offerings.

Scent: earthy, spicy, hot, but at the same time fresh, resembling the smell of a cold grave or crypt, dominant notes of clove, cypress and opoponax

The incense blend for Qalmana in turn, has an overall flowery sweet scent and emphasizes benific aspects of Venus, such as beauty, lovingness and splendor but at the same time also has protective qualities. It contains among others flowers of apple, cherry, elder, lilac and rose. Precious benzoe siam resin, labdanum, vanilla bean etc. combined with spicy ingredients such as coriander and clove yield an exceptional, sweet, floral mystical fragrance. Besides these the blend contains also rosewood as well as whitethorn. The latter is added also to underline the twin/dual aspect of Qalmana towards her spouse, whose incense blend contains blackthorn. A small amount of blue Papaver somniferum seeds reveres the queen of magical plants and adds a dark touch.

Characteristic for both incense blends are woods and resins, as well as fruits, leafs and flowers from thorny trees, such as myrrh, rose, whitethorn and blackthorn respectively, in harmony with the esoteric doctrine pertaining to the path of thorns, upon which Qayin and Qalmana guide their disciples. Protective and baneful, benific and venific elements balance out each other. The blends come along strong and may be mixed in equal amounts with myrrh and frankincense or copal.

Both blends happened to amount to 182 ml each. I am currently not able to sell them on a larger scale. But I consider offering simplified versions better suited for daily usage soon.

On the side, I do not know of any other book dealing as exhaustively with the female counterpart of Qayin as LF II. And it is with some excitement that I see Ixaxaar announce a 3rd and even 4th volume in the series. Looking beyond the controversy surrounding these books they still remain as works of love and devotion to the spirits. They also continue delivering interesting details and pieces in the puzzle to those, who continue searching…

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August 16, 2015

Posted In: Feast Days

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Naamah Incense

Naamah Incense
Composed during the June new moon 2015

One of the commissions I’ve been working on lately and now going into the official Teufelskunst program: the first qliphothic incense blend, an offering to the dark goddess Naamah. Naamah here refers to a demonic entity, sometimes also called the “younger Lilith”. She rules over the lowest sphere on the adverse or reverse tree. Her name is commonly translated as “pleasant one”. Naamah belongs to the sitra ahra, the “other side”. Her sphere is called Nahemoth and of all the adversarial or dark gods she is closest to the created world. Nahemoth is thus sometimes portrayed as a sphere permeated by dead tree-roots entangling with the roots of Malkuth of the tree of life: where the roots of the one tree end the other tree begins. Naamah is therefore associated with the element earth or “black earth”. Her womb is the gate through which the various inclinations of the other side manifest inside the created world. Her beauty is a mask, behind which are hidden darker intentions. She is sometimes also compared to the Whore of Babalon.

Naamah Incense
Naamah incense, 100 ml uv-proof violet glass jar

I was commissioned to compose an incense blend focusing on the “pleasant” aspect. Earthy, warm and musky notes define this blend, which contains various fragrant herbs connected to the darker seasons (autumn and winter) and the element earth as well as other herbs and flowers evocative of Naamah, such as red rose and belladonna. Some of these ingredients are venific in nature (Belladonna, Bittersweet Nightshade), hence this blend is recommended for advanced practitioners.

Besides this I had to find a suitable vessel and packaging. Having been recommended Miron glass before, the uv-proof dark-violet glass would be my first choice for the spirits of the night side. The slender 100 ml wideneck jar also has an elegant shape. Besides this I’m also offering the blend in 50 ml jars. Miron glass is more expensive than normal clear or brown glass. Hence the qliphoth incense blends are a bit more expensive than my standard offers.

For ordering please write e-mail to info@teufelskunst.com with the wished amount. I will get back to you with the full price including shipping and payment info. I accept payments with PayPal and SEPA bank transfer within the EU.

July 2, 2015

Posted In: Ritual

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Spring/Summer 2015

Art is uncompromising and life is full of compromises.

I am starting this post with a quote by German writer and artist Günter Grass (16 October 1927 – 13 April 2015)

There have not been any updates to this blog but this ought to change.

My work with Teufelskunst continues – I have been working on commissions, preparing new items as well as updating the site and re-arranging the list of plant profiles, to which have now been added thumbnails as well as short descriptions. This should make navigation easier and also more attractive. Besides this have been added lots of new articles and the list of herbs discussed in detail is growing. Opening the round for this year are four solar herbs, namely:

Angelica – The aromatic sun and fire herb has a long tradition of usage as a medicinal “all-heal”. Originally called Kvann, it was well-known in Northern Europe, e.g. the Sami people and Vikings used it as a food source and for flavouring. Hence it is also known as “Norwegian Angelica”. After the introduction of christianity and the spreading of the black death…

Lesser Celandine – The herb’s Celtic name “Grian” means “sun”. It has also been referred to as “spring messenger”. The flowers of Lesser Celandine signal the arrival of spring and days getting longer. In German it is called “Scharbockskraut” or “Skorbutkraut” = Scurvyherb. The early leaves are rich in Vitamin C and have been taken on board by sailors…

Primrose – In Norse mythology Cowslip was sacred to the goddess Freya, the “lady”, and was also referred to as “Freya’s Key”. Within christianity the flower became dedicated to St. Peter and the Virgin Mary and was referred to as “Our Lady’s Keys” and “Keys of Heaven” or simply “Keyflower”, which all relate to the bright yellow pendant flowers…

Rue – In magic and folklore rue is believed to break hexes and protect. E.g it was part of the infamous Four Thieves Vinegar, which protected four thieves from the Black Death. It is also known as Herb-of-Grace. Ritual sowing methods demand the pronouncing of curses whilst scattering the seeds respective a young plant ought to be stolen in order to be potent in magic. In Milton’s Paradise Lost

Rue is often used in tinctures, incense and herbal blends for cleansing. Lesser Celandine and Primrose grow in abundance in our yard. And Angelica I have lately been using in different incense blends. I finished the article about this herb late at night and the aromatic scent of Wild Angelica seeds are the last thing I remember, before sinking into a comatose sleep, which granted me a surreal dream with the Dead and the Poisoner. The dream was so strong and intense that I’m guided to use both, the root of Angelica archangelica as well as the aromatic seeds of Angelica sylvestris in dream and divinatory incense blends.

What is planned for the coming months? I have continued work on new wooden seed boxes. I have also worked on new plant sigils, which are to be revealed later this year. I have further been absorbed into researching the conceptual backgrounds and ingredients for new incense blends, which resulted in three new formulae for the Queen of the Night to be presented soon, as well as one incense blend for the Mother of Man-Dragons.

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Besides these I have been commissioned for a solar/fiery incense inspired by Norse mythology. I composed two blends, focusing on fire and sun symbolism, and taking into account runic attributions for the herbal ingredients. They are called “Múspell” and “Sowilo” incense respectively. The incense blends are currently not for sale, but I can do more of them by request. The same commission also lead me to working again with the mighty yew tree, more about which I may share later.

I have also been asked about the third series of my magistelli poppets as well as the next row of sigil cards. All I can say is at this point, please be patient! Pertaining to art, the next will be a small print run of the Regina Amandrakina idol, which was published in the latest and now sold out Pillars journal. And speaking of it, Anathema publishing offered me to sell two remaining copies of the journal through my site. So I’m thinking about arranging a special offer. Again more about this later.

For now I just wish you all a blessed Beltane/Walpurgis night!

W.

April 30, 2015

Posted In: Incense, Herbs & Seeds, News & Site Updates

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